Click here to enter my other blog: Jane Austen's World.

Wednesday, September 12

Eloping During Jane Austen's Time

The Marriage Act of 1753 made it increasingly difficult for upper class men to "marry down," and for women to marry men outside their rank. To get around this law, a desperate couple could obtain a special license from the Archbishop of Canterbury, or elope to Gretna Green in Scotland, where English law held no sway and marriage at 16 was legal.

Over the years many couples would run away to Gretna Green for their marriages to take place. The ceremonies were usually performed by one of the village blacksmiths who in those days were at the heart of the community and held in suitable regard. Even today, many of the Ministers refer, in their services, to the similarity of a blacksmith joining 2 metals over the anvil to the marriage ceremony joining 2 people as one.

Below is an excerpt from Pride & Prejudice when Lizzie learns of Lydia's foolish elopement with Wickham. Later, the reader learns that the couple has not married, but were living without benefit of marriage, an even worse situation:

She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again. "I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends -- has eloped; -- has thrown herself into the power of -- of Mr. Wickham. They are gone off together from Brighton. You know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to -- she is lost for ever."

Related articles:

Tuesday, September 11

Northanger Abbey Videos and Podcasts

Click on this link for a full listing of radio plays, stage plays, and screen plays of Northanger Abbey performances today.

Click here for Part One of ITV's Northanger Abbey, a YouTube video with Felicity Jones as Catherine Morland. You will find the rest of the videos on the sidebar after watching Part One.

Monday, September 10

The Housekeeper as Guide to a Great Country Estate


At the top of the servant hierarchy stood the butler and the housekeeper, who ruled their domains belowstairs.

Jane Austen gave Mr. Darcy's housekeeper a prominent role as she escorted Lizzie and the Gardiners through the great rooms of Pemberley, talking fondly and familiarly about her master. Her kind recollections were so opposite Lizzie's, whose confused mind and bewildered emotions were unable to take in all that conflicted with her prejudiced opinions of Mr. Darcy, that it set up the scene in which she unexpectedly encounters him in the gardens.

In reality, the role of tour guide was not uncommon for the housekeeper of a great country estate. In this portrait painted by Thomas Barber of Mrs. Garnett, the housekeeper of Keddleston Hall, and which hangs in front of the house to this day, she holds a guidebook. Ever since Keddleston Hall was built in the 18th century, it has been open to visitors. In fact, Samuel Johnson described his encounter with Mrs. Garnett (see linked post above)as he visited that great house.

In Regency Manor, the role of the upper servant as guide is described as thus:

...upper servants, in particular the housekeeper, served as tour guide on days when the houses were open to the public that “The fees derived from this source (the charge for seeing the house), by upper servants in some principal show-houses in the kingdom must amount to a handsome income; and I am told on good authority, that a late housekeeper in this castle, left by will, to a younger son of the family, at the close of a long service, a fortune of many thousand pounds, chiefly accumulated this way.” The castle in this instance was Warwick castle.

View Kedleston Hall here

Sunday, September 9

More on Becoming Jane: Quotes From The Reviews


Once you admit that the Jane Austen depicted onscreen bears scant relation to any person named Jane Austen, living or dead, the film fulfills its purpose. I had never before considered her as a cricketer, for instance, and I am fairly sure that she never sought to elope, but I enjoyed both inventions—the one bucolic and triumphant, the other sodden and frustrated, and presumably meant as a precursor to Lydia’s running away with Wickham in “Pride and Prejudice.”

Becoming Jane is based on a chapter in Jon Spence's 2003 critical biography, Becoming Jane Austen. In the book, Spence does identify Tom Lefroy as the love of Austen's life and her relationship with him as the origin of her genius. But he never suggests that there was an aborted elopement (much less subsequent reading sessions with any of Lefroy's children). And he is careful, as the filmmakers are not, to clarify that in speculating about Austen's romantic experience he is reading between the lines of the family records and of the three rather opaque Austen letters that are his principal sources.

Deidre Lynch, See Jane Elope



I am listing only those reviews that reflect my take on the movie:

Illustration by Lara Tomlin, New Yorker

Friday, September 7

Silhouettes: Tracing Jane Austen's Shade

Before photography, tracing silhouettes was a hugely popular and inexpensive way of capturing a person's likeness. Even financially stretched families could afford to have a family member stand in front of a light. Their profiles were then traced onto a sheet of paper and cut with scissors. Granted, artistry was involved in the tracing and cutting, for the difference between one person and the next is in the minutest proportions. Should the tracer trace slightly wrong or cut off a tad too much, a different image will result from the original model. Witness these two silhouettes claimed to be of Jane Austen. The first was created around 1800 in Bath.



The second image of Jane, supposedly traced in 1815, shows a more pronounced nose. If one didn't have the illustration of Jane's father to compare to this silhouette, one might completely dismiss it. But one can see a distinct resemblance in the shapes of the noses. If this is not an image of Jane (and the Victorian hairdo and high collar or necklace suggests it is not), one can still conclude that the image might be of a family member. Read more about these two images of Jane here.



Learn more about silhouette making in these links:

Thursday, September 6

A Glimpse of Jane Austen at Work

Marianne, "a niece of Austen's, '' recalls the memory of Jane sitting quietly in the library Godmersham, her sewing on her lap, saying nothing for a long time. Suddenly Jane would burst out laughing, jump up and run across the room to find pens and paper and write something down. Then she would return to her fireside seat and go on stitching quietly as before.


From: Obstinate Heart: A Biography, by Valery Grosvenor Myer, 1997

The quote is from this review: Jane Austen: As Rich a Mix as Any of Her Women, Christopher Lehman, New York Time, April, 1997

Wednesday, September 5

Maids of All Work

On December 1, 1798, Jane Austen wrote her sister Cassandra:

We are very much disposed to like our new maid; she knows nothing of a dairy, to be sure, which, in our family, is rather against her, but she is to be taught it all. In short, we have felt the inconvenience of being without a maid so long, that we are determined to like her, and she will find it a hard matter to displease us.

In days of yore even the lowliest families that could afford it would hire a maid of all work, usually a young girl from an impoverished family. If you recall in Mansfield Park, Fanny Price's real mother and father employed such a maid. To go without one meant hauling one's own water, laying the fire, sweeping (which must have been endless), and accomplishing the myriad tasks needing to be done in an age that lacked electricity and internal plumbing.
Next to the scullery maid (who in a large household with many servants, was relegated to perform the meanest duties), the maid-of-all-work had one of the least desirable jobs in the servant hierarchy. Because she was the only servant or one of only a few, all the hard, backbreaking household tasks fell to her. Even Mrs. Beeton, whose expectations of servants was strict, commiserated with this maid's lot, saying: Her life is a solitary one, and in, some places, her work is never done. She is also subject to rougher treatment than either the house or kitchen-maid, especially in her earlier career.

Learn more about the maid of all work here:

A Day in the Life of a Maid of All Work

Maid of All Work: Her Tasks (Victorian Era)

Click here for my previous posts on servants

The Cock of Cotton Walk and Maid of All Work, 1820: A Satiric Verse

Illustrations from Pyne's Microcosm

Tuesday, September 4

Sense & Sensibility Podcast

"Called a beautiful girl, truth was less violently outraged than usually happens...."

Jane Austen about Marianne Dashwood




I heard this wonderful quote in Chapter 10 of the Sense & Sensibility podcast, which you can download under "Listening" on the sidebar of the new Old Grey Pony blog. Click on the University of Florida link and download all the chapters into your ipod.

Monday, September 3

Please remember

... to change your bookmarks to my new and improved Jane Austen's World blog. I am posting on both blogs for the time being.

Meanwhile, look who came to visit over the year! Amazing! I am full of gratitude to all my visitors. Click on the image for a larger view.


Jane Austen Icons

Austen Icons has among some of the best icons I've found. The site includes all the recent Jane Austen movies. Other fabulous sites for downloading icons are P & P 1995, which provides six pages of icons, and this one, which provides screen caps for P & P 2005 . Find both these sites on Cap It!

I love this banner from Austen Icons. Seeing Lizzie like this would make Darcy fall in love with her all over again.

This blog provides a list on the side bar of a large number of sites with icons and screen caps. Why not stay a while and find out what and where they are?

Cookery Books

Although England was at war with France during the Regency Era, the upper crust considered it fashionable to hire a French chef. This common practice was considered a folly by cookery book author, Hannah Glasse, who said her fellow Englishmen "would rather be impos'd on by a French Booby, than give Encouragement to a good English Cook!"

For the more ordinary households, the most popular cookery books of the day were written by women: Eliza Smith,1727; Hannah Glasse, 1747; and Elizabeth Raffald,1769. Hanna's wildly popular book was reprinted 17 times between 1747 and 1803! In those days, the authors borrowed recipes liberally from each other, but Mrs. Glasse's recipes were more detailed and clearly written than most. "I have attempted a Branch of Cookery which Nobody has yet thought worth their while to write upon...My Intention is to instruct the lower Sort [so that] every servant who can read will be capable of making a tolerable good Cook."

Tipsy Cake

Reading Hannah's recipes, we can see how much our tastes in food have changed. Her Cookery Book included recipes for Jugged Pigeons,Potted Venison, Fried Celery, Tipsy Cake (depicted above), and Salamangundy (a salad made with cucucumber, apples, grapes, herring, red cabbage, hard boiled eggs, and cooked fowl.)As to how the food of the day tasted, here are Jane Austen's words, scribbled to Cassandra in 1808:

"The Widgeon and the preserved ginger were as delicious as one could wish. But as to our black butter, do not decoy anybody to Southampton by such a lure, for it is all gone ..."

From Food: and Cooking in 18th Century Britain: History and Recipes, Jennifer Snead, English Heritage, ISBN 1 85074 084 4

Sunday, September 2

Street Pie Men

Whenever Jane Austen came to visit London, her ears would have been assaulted by the din of London street noise. This would include the distinctive cries in the evening from street vendors such as the pie men shouting, “Pies all ‘ot! eel, beef, or mutton pies! Penny pies, all ‘ot--all ‘ot!”

In 1851, Henry Mayhew published London Labor and the London Poor, Vol 1. This social history described the venerable but humble occupation of the ‘street pie men’ and ‘the street-sellers of pea-soup and hot eels.' These pie men sold their hot food to poor working class families at an affordable price. At one time, over 600 pie men roamed London to sell meat, eel or fruit pies in streets, taverns, summer fairs and at the races. By the time of Henry Mayhew's history, only about 50 remained, selling their pies from 6 (in the evening, I presume) and staying out all night. The best time for selling pies was between 10 p.m. and 1 a.m.

Cornish Pastry


Eel sellers, however, largely sold their wares from stalls. Around the mid-19th century, these two trades went into a decline when penny-pie shops were established. Some street pie men did not seal off their pies properly, whereas the new shops sold food that was generally safe. Instead of selling pre-made pies, they sold live eels or food with good nutritional value for families to take home and cook. Within a few years the street sellers had almost disappeared.

Read more about this topic in the following links, especially Henry Mayhew’s. He interviewed actual working pie men and wrote down their observations::

Saturday, September 1

Becoming Jane

I'm still digesting the movie and reading Jon Spence's Becoming Jane Austen. Of the four of us who saw Becoming Jane, the one who knew almost nothing about Jane Austen enjoyed the movie the most. Her reaction was curiosity. She wanted to go home and reread Jane's novels and to learn more about her personal life. She was also the only one of us who cried towards the end when Jane met Tom's daughter. To me the scene seemed contrived to provide a neat, pat ending to a rather trite tale.

After the lights turned on in the theater, my fellow Janeite, Lady Anne, and I exclaimed (almost simultaneously), "Nice movie, terrible biography." Two women in the row in front of us turned around, smiled, and agreed. We then briefly discussed "Amadeus," which was also a good film, but which portrayed Mozart's and Salieri's relationship inaccurately.

Click here for my other post about Becoming Jane, and to access other sites about the film. I'll write a more detailed critique about the film later, after finishing Spence's biography.

I'm Tagged for a Nice Award

Lady Jane from has given me a 'Nice Award.' How sweet of her. (La! If only she really knew me!) Here are the criteria:

This Nice award is for those blogger's who are nice people; good blog friends and those who inspire good feelings and inspiration. Also, for those who are a positive influence on our blogging world. Once you've been awarded please pass it on to 7 others who you feel are deserving of this award.

I would like to bestow a nice award on seven other bloggers I have come to admire:

  • Lori Smith of Following Jane Austen and Jane Austen Quotes, and author of A Walk With Jane Austen.
  • Josie Brown and Rita Abrams From Pride and Prejudice, the musical. These two talented women are allowing visitors to listen to a full song on their site each week. What a wonderful gift for Jane Austen fans.
  • Jane Fan from Austen-tatious, the first blogger to place Jane Austen's World on her blog roll.
  • Regency Ramble. I love reading Michele Ann Young's posts about the Regency Era and look forward to reading them every week.
  • Linda Merrill from Surroundings. Linda and I email each other frequently. Her interior design blog not only looks gorgeous, but her taste is exquisite.
  • Blog by Marius. Marius is sweet and gentle and nice, even as he snarks his way through the blogosphere. Now that takes talent!
  • Margaret Sullivan, the editrix from Austen blog. I thank her for visiting my humble blog and adding her insights or gently correcting my posts. Kudos MAGS. You're Da Bomb!