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Showing posts with label Kimberley Nixon. Show all posts
Showing posts with label Kimberley Nixon. Show all posts

Sunday, May 18

Cranford Episode Three: Mrs. Elton Sez...

Gentle readers … Cranford concludes … And the contest is extended …

Be sure to catch the conclusion of Cranford tonight, May 18th at 9:00 pm on Masterpiece Classic. Episode three has many surprises and twists, and I will not reveal any spoilers, but … suffice it to say … Mrs. Gaskell really is a fine storyteller, the actors are superb and the bonnets are atrocious. La! You can read episode three synopsis here.

We have been privileged these past three Sundays, by special commentary by the one and only Mrs. Augusta Elton; - that officious and opinionated lady of Highbury, whose views we have come to find enlightening, amusing and ocassionally a bit twisted. We are very grateful to author Diana Birchall for channeling Mrs. Elton for our enjoyment. You can read Mrs. Elton's previous comments on episode one and episode two to catch up.
And now, Mrs. Elton’s closing remarks …

I always said such doings would never prosper, and now you see the truth of it. Mrs. Gaskell is no great writer, to be sure, compared to our dear Miss Jane Austen, but even she does not deserve such treatment. To take three stories, and mix them up all together, in just anyhow fashion - those are strange doings indeed. Ranks and spheres should never be confounded; and the consequence, as I of course had foreseen, is that there are more romances, and more deaths, and more endings, happy and sad, than can be endured; it is quite enough to give one the head-ache.

It is true that in Highbury, there were three marriages at once, when sweet Jane Fairfax married Frank Churchill, and Miss Woodhouse married Knightley, and - well, they are hardly to be named in the same set, but Mr. Robert Martin did marry little Miss Smith at about the same time as the others. And I had only arrived in Highbury, a bride, very few months previously. It is a marrying place, Highbury, very much a marrying place, and poor Mr. E was kept very busy joining hands for some time. None of the other brides, of course, came near having a gown or set-out like mine; indeed Miss Austen finished off her book by quoting me very properly about the sad want of white satin and lace veils. To be sure, Jane Fairfax was nicely attired, Mr. Churchill saw to that, and set some of the late Mrs. Churchill's jewels in an ornament for her hair; but Jane always was elegant. Miss Woodhouse was dressed with such plainness that I am sure I should have been ashamed, though in general I am all for simplicity; and there is no use speaking of Miss Smith, for she was all covered with flowers, which hardly suits such a short woman as that, and a farmer's wife too.
Weddings in Cranford however - I could not keep track of them all. There was Dr. Harrison and Sophy, who hadn't ought to have been in the story in the first place; and Miss Jessie and Captain Gordon, and even Miss Caroline Tomkinson was engaged to her butcher (so shocking!), and Mrs. Rose too, and Mrs. Forrester, and we are allowed to see Peter and Miss Pole looking at each other in such a way - well! It was very disgraceful, I protest, and not at all what was called for. To her credit, Miss Jane Austen never had more than three couples marry, and Mrs. Gaskell must surely have at least six. It really is not at all the thing. I suppose it was their idea of a joke, to turn Cranford from a town of spinsters to a town of weddings; but I cannot approve. I like a joke as well as the next person, I am considered quite amusing and lively in my way; but there can be no question but that it has all Gone Too Far.

On the whole I think I object to the deaths more than the weddings; one does, you know. And this is proof positive, if any more was needed, that Highbury is a healthier place than Cranford; for Miss Deborah, and Mr. Holbrook, and poor Mr. Carter, and little Walter - why, they all die, do they not? Very sad it is too, and a little weeping is all very well, when a death is in prospect, but it is very out of place, I think, when watching a stereopticon display. I was sitting with three other people when this last portion was shown (Mr. E and I were at the Westons, watching on their skreen - much too large a one for their little house), and I can assure you there was not a dry eye except mine. Such displays of sensibility are most improper, and I am very sure Miss Jane Austen would think so, if she were not dead herself.

Well! I made a list of all the things I disliked, and it was very long; and a list of the things I liked, and it was very short. I will start with the good things, because I must dispel the idea that I am a critic; do not run away with that idea, it is not at all becoming to be critical, and is the very last thing that I would do. I am much more an appreciator, I flatter myself, when there is any thing at all to appreciate. And I did think it quite admirable when Miss Matty said that her sister Deborah always wished to write sermons. I think she should have written some, upon my word I do. I have no doubt that, with her judgement and decision, she would have written very good ones.
I am all for women, and will not allow it to be said that they cannot do any thing as well as a man; and indeed a woman certainly can write sermons, because I have very often written Mr. E's - but mum! How nearly I have let out secrets, and I always promised my caro sposo so faithfully that I would never breathe a word. But he does not take to writing very well, somehow; even in the days of courtship, when he would quote poetry, and all that, his sweet lines were really written by other people, and after all a wife's duty is to be a help her husband. Any one who has seen as much of the world as I have, is aware of that. So I know poor Miss Deborah could have done as much as me, with her great mind, and her fondness for Dr. Johnson.

Miss Matty always was fond of little children, and that is just the kind of sentimental old maid I would have taken her for. My friends wept copiously when she said that, and then when Martha - but it will not do to speak of such coarse events, whatever is said in Cranford, vulgar place that it is. You do not hear of people talking right in the public street about such things in elegant society; it was never heard of when I was at Bristol, or in Bath. But in Cranford, there is almost as much talk of the maid Martha's expectations, as there was in Highbury about Mrs. Weston's, and I really think all that kind of thing is unnecessary, particularly when a servant is in the case. And then, Miss Matty, a vicar's daughter and a gentlewoman, whatever else you might say about her, that she should stoop to becoming a tradeswoman, and selling tea in her grubby front room - well! I hardly knew where to look. As for the scene where all her friends took up a sort of charity collection for her, I never saw any thing more disgusting. Oh! yes, Cranford is a common, vulgar sort of place, and you can weep all you like, it cannot change the fact.

There were so many moments when I could hardly bear to look at the skreen at all. The indelicacy of Dr. Harrison doctoring young Miss Sophy - actually putting his head upon her bosom! Such things were never heard of in Highbury, where there never has been a single case of typhoid. Miss Jane Austen would not allow such a thing to happen to a heroine, though Miss Marianne Dashwood did have the disease; however, that was not in Highbury, which is an exceptionally healthy place, and the young lady did deserve a hard lesson for her foolish behavior, behaving as she did with Mr. Willoughby. The spectacle of all the ladies running after Dr. Harrison does have its precedents in Miss Jane Austen's works, where I cannot help but admit that ladies often do try to lure gentlemen into matrimony.

Thank God! I was never guilty of such a thing myself, but then my caro sposo was all ardour and urgency to press forward our nuptials. Still, there are many other examples - you only have to look at the behavior of that Harriet Smith, in love with three men in one year, and one of them my very own lord and master. Dr. Harrison could not help himself, and I do not blame him. The arts the ladies employed in Cranford were despicable indeed. Mrs. Rose actually dyeing her hair, like a low woman, is simply too much to be borne. Well, I wash my hands of the whole business. I would not live in Cranford for a thousand pounds. Even a woman of my resources would find it intolerable. Visiting such second-rate people for ever! The only lady of any quality was Lady Ludlow and she belonged in Cranford no more than Lady Catherine de Bourgh belongs in Jane Eyre. It was very ridiculous.
I thought I would try to forget about Lady Ludlow, and Dr. Harrison, and read Mrs. Gaskell's story again, so as to try to remember it as it was before it was spoilt; but I opened it up and what should I see but Miss Matty crying the dry tears of old age. And her only fifty-eight years old! That is not so old as for the ducts of ones eyes to wither; though perhaps it happened because she had cried so much all through the book. Then her brother Peter brings her back from India a muslin gown, and a pearl necklace, and she cannot wear them because they are incongruous with age! That proves what I have always said, that Miss Matty had no taste, and no gratitude either. I have no patience with her. Miss Mary Smith says that every body is better for being near Miss Matty; but I cannot agree, any more than it is improving to be near Mr. Woodhouse or Miss Bates.
I have no sympathy for Miss Matty. I think she should have managed her situation better. Simpering over babies, and pretending not to notice that all her friends - many of them not rich either - were putting out money for her. In my opinion, the suggestion that she teach was a good one; even if she didn't know any thing, and had no education herself, she might have had a dame-school, or been a nursery governess. It is true that she was timid, and that is to her credit; but even so I cannot see why every one loves her, and cries over her, when she was really quite an inferior person. I am quite out of patience with such doings and such people; they are all exceedingly tiresome. Really I do think Cranford is the most troublesome parish that ever was.

Very Sincerely Yours,

Augusta Elton

DISCLAIMER: ...the blogmistresses would like to remind our gentle readers that "the opinions of Mrs. Elton are not necessarily those of Diana Birchall", who is but conduit of Mrs. Elton’s thoughts and can not always make them stop!
Well, now that Cranford has concluded, we are most obliged to Mrs. Elton for visiting with us and sharing her candid, - ahem - thoughts on the three episodes. We certainly are in no doubt of her opinions on the matters in Cranford, or about it’s author Mrs. Gaskell, and wish her a swift journey as she sallies back to Highbury to pontificate on the short comings of the fine citizens in that community.

CONTEST: We are happy to announce that we have extended the deadline of the contest for a free copy of Diana Birchall’s book, Mrs. Darcy’s Dilemma until Wednesday, May 21st. All authors of comments made between May 4th and May 21st on each of the three Mrs. Elton Sez posts will be eligible for the drawing which will be announced on Thursday May 22nd. Good luck to all.

Posted by Laurel Ann, Austenprose & Ms. Place, Jane Austen's World

Wednesday, May 14

CRANFORD: Male Cast Highlights Episode Two

Cranford continues ...

Episode two of the PBS presentation of Cranford aired last Sunday and I am happy to say that the story is building, and does not disappoint. Romance is in the air, and also some mischief! The charming spinsters and ladies of Cranford continue to dominate the story, but the men of Cranford hold their own. Here are some of my favorite male performances of episode two.

Mr. Edmund Carter (Philip Glenister) is Lady Ludlow’s progressive land agent of Hanbury Court who upsets the anachronistic order of her ladyship’s household by mentoring young Harry Gregson (Alex Etel) as his clerk. The opposition of their views on social order puts Lady Ludlow (Francesca Annis) and Mr. Carter at odds with each other over his choice to educate Harry and elevate his position from pauper and poacher to educated clerk. Philip Glenister shines as Mr. Carter, whose strict and gruff exterior earns the respect of young Harry, and our hearts.

Elizabeth Gaskell created a plum character for Mr. Glenister to portray who is caught between the transitions in England from an agricultural to industrial nation. I was touched by the bit in the story about Mr. Carter’s reaction to his financial windfall from his investment in a cloth mill which has made him a handsome fortune until he realizes the human cost in labor and misery that was expended to earn his profit and sells out. He is a man of principle.

UK viewers will recognize Philip Glenister from his role as Detective Chief Inspector Gene Hunt on BBC One’s Sci-Fi police drama Life on Mars which has been picked up by ABC for the upcoming fall season. I have not seen the series, but its spin-off Ashes to Ashes received raves from AustenBlog editrix Mags, who follows the Brit television scene closely and is quite a discriminating viewer! The one film that I have seen Philip in was Calendar Girls with Helen Mirren, Linda Basset (Mrs. Jennings in Sense and Sensibility 2008), and Cirian Hinds (Captain Wenworth in Persuasion 1995). You can read more about Philip at his web site.

Mr. Thomas Holbrook, (Michael Gambon), resurfaces as a previous suitor of Matty Jenkyns (Judi Dench), and the possibility of a renewed romance is intriguing. Elizabeth Gaskell really knows how to tug at our heartstrings when after the sudden death of Matty’s sister Deborah (Eileen Atkins), she introduces the charming and prosperous yeoman farmer back into Matty’s life. Perfect timing since the family opposition that had squelched the budding romance 30 years ago has all passed away. Michael Gambon is the perfect distinguished elder gentleman to court our genteel heroine Miss Matty, and he charms her with primroses and promising letters before he departs on a trip to Paris. When tragedy visits Cranford yet again, and Mr. Holbrook succumbs to pneumonia after his return, I did not expect so much misery to visit such a delightful village as Cranford. It was a low point for the community and for me.

Sir Michael Gambon has had a long and distinguished acting career. Recently he was seen as Albus Dumbledore in Harry Potter and the Order of the Phoenix (2008), Gosford Park (2001) with Jeremy Northam (Mr. Knightley in Emma 1996), Sophie Thompson (Miss Bates, Emma 1996) & (Mary Musgrove in Persuasion 1995), and Wives and Daughters (1999) with Barbara Leigh-Hunt (Lady Catherine de Bourgh in Pride and Prejudice 1995), Rosumund Pike (Jane Bennet in Pride and Prejudice 2005), and Lucy Briers (Charlotte Lucas in Pride and Prejudice 1995). His next project will be Brideshead Revisted with Emma Thompson (Elinor Dashwood in Sense and Sensibility 1995) and Hayley Atwell (Mary Crawford in Mansfield Park 2007) due out July 2008. You can read more about Michael Gambon here.

Dr. Jack Marshland (Joseph McFadden) arrives in Cranford for a holiday visit by invitation of his colleague Dr. Frank Harrison (Simon Woods), and observes romance in the air for his friend with the young Sophy Hutton (Kimberley Nixon). The spinster ladies of Cranford are charmed to have a new single man included in their festivities, but Dr. Marshland prefers pranks for his entertainment, and his actions set in motion the future humiliation and torment of the community and his friend. Joseph McFadden has one of those lively faces with a captivating smile that just lights up a room. You want to trust him immediately, and that is the deception, because though he is well meaning, his sense of humor can embarrass and ridicule without malice.
Joseph McFadden’s popular television career has been steadily peppered with UK drama and comedy including the staring role in The Crow Road (1996) and Heartbeat (2008). He is an accomplished singer with a fine tenor voice which we had the pleasure of enjoying during the Christmas Eve party celebration in episode two of Cranford. Mr. McFadden wears Victorian garb and Dickensonian charm smartly and would make a fine Herbert Pocket in Great Expectations, which is due for a re-make if any producers are paying attention! (As if!) You can read more about Joseph McFadden here.

Don’t miss the conclusion of Cranford on Sunday, May 18th, at 9:00 pm when episode three airs on Masterpiece Classic. Don’t fret gentle readers. Like Dickens, Gaskell gives us a nice moralistic ending with a nice surprise! You can read the synopsis here (spoilers).

Posted by Laurel Ann, Austenprose

Saturday, May 10

Cranford Episode Two: Mrs. Elton Sez...

Gentle readers … Cranford continues … And so does the contest …

I am totally charmed by the Masterpiece Classic presentation of Cranford which began last Sunday. Episode two continues again tonight May 11th on PBS at 9:00pm, and concludes next Sunday May 18th. Three weeks living the simple life with the company of the ladies and gentlemen of Cranford, ahhh… such a respite indeed. You can review the cast of characters here.

We are honored once again by a review by Mrs. Elton, that pretentious matron of Highbury society who invaded Emma Woodhouse’s world and her patience; brought to us by that obliging Diana Birchall. Even though we always enjoy Mrs. Elton's forthright opinions, which she gives so freely as she continues her views on the mini-series Cranford, they are a bit like watching a train wreck. You should look away, - but are compelled to observe!

You can catch the first installment of her three part Cranford contributions here to catch up if need be, and read her previous review of Emma during The Complete Jane Austen series last March on Austenprose. Check out Diana Birchall’s recently released book, Mrs. Darcy’s Dilemma if you want to read a clever bit of writing to complement Jane Austen’s novel Pride and Prejudice.

Diana Birchall’s introduction …
I’ve just returned from a family visit to New York, which is in many ways the exact opposite of Cranford. Cranford is small, while New York is, well, not. Cranford is only struggling into the industrial age and is appalled at the very idea of trains; New York embraces trains, planes, and enough machines to make an all-night clangor that Cranford could scarcely conceive. I suppose the whole of Cranford would fit handily into a single apartment building, but think what would be lost – the visiting, the social round, the sharing of troubles, the excitement over little bits of news. In New York people hardly know who their next door neighbors are. Cranfordian news items would fall far below the radar and even the most bizarre phenomena of Cranford would barely cause a stir: if you saw a cow in pajamas on Forty-second Street you would think it was only a publicity stunt and would simply walk around it. Wouldn’t you?

I walked in Central Park which was in full flower with magnolias, cherry blossoms, bluebells and tulips. Would the Cranford ladies have approved of that? No, I think they would be stunned by the colorful crowds, the cross town buses, the skyscrapers, visible even in the park; and only in the heart of the Ramble might they imagine themselves, for a moment, at home. If you’d like to read about my trip and see my pictures, they’re on my blog: lightbrightand sparkling.

But lo! What light from yonder window breaks? It is a movie camera, and Mrs. Elton is the star. My head begins to pain me...she is waving and gesticulating wildly, demanding to be heard...

And now, a few insights from Mrs. Elton …

Well, really, if I must say something, I should be allowed to tell you that I have seen more of Cranford, and I cannot approve of it at all. It grows vulgarer and vulgarer, and where it shall end, Heaven only knows. Only compare the place to Highbury, the charming village to which I was transplanted, so many years ago, and you will understand. First, it is an indisputed fact that Cranford is in the north, quite far north, indeed so close to Manchester as to be hardly genteel. Highbury, and Highbury alone, is in the most elegant situation that could possibly be. That is – Maple Grove to be sure is in a better one, but Highbury is still much more the thing than Cranford.

And only think: nearly every one who lives in Cranford is a single woman! Now, that is very sad; I am sure I should have been ashamed of being always a spinster, but if such a calamity had befallen Jane or me - dear Jane Fairfax, now Mrs. Churchill of Enscombe, which to be sure is in Yorkshire, but that is a very different part of the north, and not to be confused with the want of gentility of such a place as Manchester. Jane tells me that Yorkshire is very genteel indeed, she quite raves about the place, where no vulgarity is allowed. But what was I saying? Oh yes, only that if my dear caro sposo had not made me an offer, and I had remained unwed, (though to be sure I was in no wise wanting for offers), I should never have conducted myself as those ladies of Cranford do. Running through the streets, shouting about matters that had better be kept quiet, old ladies in ruffles, like mutton dressed as lamb; and then, in private, practicing such vulgar economy! Really, it is too bad to have a whole town full of old ladies, and then to show them as being so silly. It does them an injury. I was going to say that the very superior Jane Austen would never create or countenance such a thing, but I have just remembered that she did create Miss Bates, which seems very surprising of her. For what is Cranford but a town absolutely full of Miss Bateses? Now, that is my idea of a very sad place.

And Cranford is sad, do you not agree? Do not we all? The pitiful makeshifts of the people to live – only one burned-down candle in some of those rickety houses, if you will believe me, and the clothes – well! They say it is 1842, but I am sure I was wearing such bonnets and pelisses in Highbury as long ago as 1815. Very pitiful doings, upon my word.

But now I see that I am to be taken up, and given a new hat: Mrs. Birchall has explained to me that I am to become a movie critic. I am not quite certain exactly what she means by it, but I should hope that with my resources, I ought to be able to give my opinion decidedly, which is all that I think is meant. Yes, I see how it is, I shall never have a disengaged moment! It is quite tiresome to be so popular, when my natural inclination is all for quiet. As there is positively no escape, however, I will proceed to tell you what I think of this odd – very odd – stereopticon showing of Cranford, without feigning an approval which I do not feel.

Well! For one thing, I do believe there are too many people in Cranford. Miss Jane Austen always said that three or four families in a country village was the very number to be working with, and I assure you Cranford has a great many more than that. Indeed, there are whole families coming in from other books, and really this does not do. Why, there are screaming poaching boys running all over Cranford, and my Lady Ludlow is set down in a vastly grand mansion – bigger even than Maple Grove, which is the perfect size for taste (I never could bear with ostentation) - right within the village of Cranford itself, which is perfectly monstrous. And then my lady, wandering about in costume of the late 1780s at latest, has she been conjured up by one of those time travel machines invented by Mr. Jules Verne, early in the new century? It is odd, very odd indeed.

But many other things meet with my dislike. You must know they do. I cannot approve of so many people dying continually; I am sure Highbury is a far healthier spot than Cranford, for Cranford is a veritable charnel-house. Our Miss Bates lived to a very old age, you know, and Mr. Woodhouse did the same; and every one was so well in Highbury that good Dr. Perry had very little to do. But Cranford, now! Mercy! I should be quite afraid to go there, such a dying place as it is. Poor Cousin Deborah, falling down dead like that; and then not even being accorded the proper respect. Far more time was devoted to the death of that wretched child - what was his name?

It is all Victorian Sentimentality, I call it, which is a very nasty business indeed. And whatever you may say of these moderns, they do not deal with Victorian Sentimentality at all well. They are so coarsened in the twenty-first century, that they have no idea of the tender emotions, and act them very awkwardly. I am sure Miss Jane Austen would not have liked it. She had a very good taste. She wrote whole books about the odiousness of Sentimentality - of course, she called it Sensibility, which is a far better word. But she would never have permitted her characters to indulge in such fits of lugubrious weeping as they do in Cranford; I declare I hardly knew where to look. I have heard people say that it is all very touching, and moving, and all that, but I should be ashamed. You never see me crying in public, or indeed in any other place.

Perhaps it is this over-sensibility that produces the decided longeurs that are invading the endless vignettes of this second episode of the stereopticon. It does not seem like Cranford to me. If you are acquainted with the people of Cranford, if you have read Mrs. Gaskell's excellent tale, you will know that there ought not to be a boy learning to read, or a young doctor, in it at all; and you would be sadly bewildered. And if you did not know Cranford, then I should think you would find it difficult to tell who everyone is. And the acting - to be sure, I like a play as well as any one; and there is some here that is very fine, as fine as any thing we saw on the London stage, when Mrs. Siddons was en fleur. Miss Judi Dench and Miss Eileen Atkins, are incomparable. But - how can I explain my meaning, in words you will understand? Let me consult Mrs. Birchall, my cicerone in this odd world - well, she assures me that the word I want is uneven. For I do think that the little blonde girl weeping over her brother and making cow's eyes at the doctor, is as odious an Actress as I ever saw in my life; and that clever boy with the trembling lip is not much better. I have always thought that children should be seen, and not heard, and I am sure Miss Jane Austen thinks so.

And what do these stereopticon makers have against the Irish, calumniating them as they do? I am sure that the Irish people I know are as elegant as any one. Did not Miss Fairfax's great friend Miss Campbell go to live in Ireland, when she married Mr. Dixon? She cannot say enough good about the country. And I particularly remember, long ago, in that pic-nic on Box Hill, there was an Irish car party, very civil behaved. So I can't understand it.

Well, well, next week we will discover how it all turns out. But I am sure there will be much weeping and sensibility and being satiric at the expense of poor old ladies; and I shall not like it at all.

Very Sincerely Yours,

Augusta Elton

CONTEST: Thank you very much Mrs. Elton, ahem, we would like to remind our gentle readers to enter our contest for a free copy of Mrs. Darcy’s Dilemma by contributing a comment between May 4th and May 18th. A name will be drawn from the comments, and a new copy mailed to the lucky winner. You can also check out Ms. Birchall's book Mrs. Elton in America to follow her exploits in another continent. Good luck to one and all.

Posted by Laurel Ann, Austenprose & Ms. Place, Jane Austen's World


Wednesday, May 7

Cranford's Younger Spinsters and the Actresses Who Played Them

Kimberley Nixon
Character: Sophie Hutton, minister’s daughter, Dr. Harrison’s love interest, and mother figure to her siblings. She was thrust into the role at too young an age. Sophie reminds me of Fanny Knight, Jane Austen’s niece, who was the eldest of eleven children. When Fanny’s mother died, she served as mistress to her father’s household and took care of her ten younger siblings. Fanny bore nine children of her own. One can quite imagine that after Sophie Hutton marries her doctor, she will live her life much as Fanny did, in the bosom of her family and raising children.

Kimberley Nixon’s association with an Austen adaptation is through Felicity Jones, who played Catherine Morland in Northanger Abbey 2007. Both actresses were featured in Screen News in 2007 as Stars of Tomorrow. Kimberley’s career began with Cranford, which she began filming before she had finished her degree at the Royal Welsh College of Music and Drama. Kimberley's next project is a boarding school comedy called Wild Child, released in March, in which she torments a spoiled newcomer, played by American actress Emma Roberts. We suspect Kimberley has a long career ahead of her.

Read more about Kimberley at this BBC Press Site, and at these other sites:

Kimberley Nixon plays Sophy Hutton

Screen Daily News, along with Felicity Jones, a star of tomorrow

Lisa Dillon
Character:Mary Smith, the narrator of the Cranford Chronicles in the book, and the voice of, as some suspect, author Elizabeth Gaskell. As an outsider, Mary's close observations of the townsfolk of Cranford allow her to solve a few crucial puzzles and resolve some issues, tying important loose ends together. Mary Smith represents the new, independent woman, one who is unafraid to live as a single woman on her stipend, and who is eager to experience the world before settling down.

Watch Lisa discuss Cranford on BBC Breakfast

Lisa Dillon's association with an Austen adaptation is that she played in Cambridge Spies along with Rupert Penry-Jones, who played Captain Wentworth. Until recently, Lisa and Patrick Stewart were a couple in real life. Patrick played opposite Jonathan Rhys Meyers in The Lion in Winter. Jonathan played opposite Keira Knightley in Bend it Like Beckham, and Keira played Lizzy in Pride and Prejudice 2005. (Four degrees of separation).

In 2003, Lisa was awarded the London Critics Circle Theatre Award for Most Promising Newcomer. Her father was Janek Stawiarski, a Polish refugee whose family moved to Coventry after the War. While Lisa as Mary has been given the role of observer, she plays the part so well that, as a friend observed, I can't take my eyes away from her.

Read more about Lisa at this BBC Press site, and at these other sites:

Lisa Dillon: Royal Academy of Dramatic Art

Lisa Dillon IMBd biography

Claudie Blakley
Character: Martha, the maid of all work with the heart of gold. Martha so adores Mattie, that she is willing to work for her for free. While there were many more upper class widows and spinsters in Cranford than eligible men to go around, there were plenty of lusty young men for the lower class women. Martha loves Jem the carpenter, but must keep her relationship with him a secret because of Miss Mattie's strictures. This film adaptation demonstrates the two different forms that courtship takes in this town: that of the doctor and the minister's daughter, who don't dare to touch; and that of the carpenter and the maid of all work, who lie together in a field or side by side in a bed before marriage.

People will recognize Claudie as Charlotte Lucas in Pride and Prejudice 2005 (one degree of separation), and the sad, ignored Mabel Nesbit in Gosford Park. Known largely for her work on stage, Claudie is currently starring in Lark Rise to Candleford.

You can see Claudie at the far left in the cast photo of Pride and Prejudice 2005 below. Can you recognize all the other P&P actors and the characters they played?


Julia Sawalha
Character: Jessie Brown. Jessie Brown is a character too good to be believed, sacrificing her youth and happiness to take care of an ailing mother and sister, and turning down a marriage proposal for the second time in order to take care of her father. Will Jessie ever find happiness? Stay tuned and find out.

Click here to watch BBC's Breakfast interview with Julia




Julia is probably the best known actress playing one of the young spinsters. I loved watching Julia as Saffron Monsoon in Absolutely Fabulous, sparring with her mother, Edina, and best friend Patsy. Her turn as the level-headed daughter was spot on. Julia also played Lydia Bennet in Pride and Prejudice, 1995. Although she played the character with youthful energy, I never quite thought her right for the part. She was also the voice actress in Chicken Run, playing Ginger, the romantic lead. In my estimation, the best part she ever won was as Maria Mason in Horatio Hornblower. Her character married the handsome Horatio, but alas this wonderful perk came with a price: poor Maria died in child bed.

Click here for an extensive biography on Julia

Click here for a series of Julia Sawalha links

Selina Griffiths
Character: Caroline Tomkinson. Caroline is the sort of sexually repressed Victorian spinster that Sigmund Freud liked to observe. A lusty girl with a yen for living, she is constrained to live a sedate existence in a town where eligible men are few and far between for a woman of her station. Caroline feels her biological clock ticking, and her heart palpitates any time she is near the new doctor. While she bats her eyelashes at him, he has only thoughts of Sophie.

Selina’s work biography is short but excellent, and as Marigold in the Smoking Room she wowed this critic.Her mother is actress Annette Crosby, who played opposite David Rintoul in Dr. Finlay. David played Mr. Darcy in 1980. (Two degrees of Austen adaptation separation.) Annette also played in Calendar Girls with Ciaran Hinds, who played Captain Wentworth.

Can't get enough of Cranford? Find out more about the series in The Life of Wylie

Click here to view the characters of Cranford on the PBS site.

Missed Cranford? Click here to watch it on PBS until May 23. After May 23rd, click here to see it on YouTube: Cranford with foreign subtitles
Posted by Ms. Place