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Showing posts with label Masterpiece Classic. Show all posts
Showing posts with label Masterpiece Classic. Show all posts

Friday, December 9

Friday Find: Downton Abbey on Facebook!

Gentle Readers,

You must be salivating by now knowing that the count down to Downton Abbey Season 2 is less than a month away for U.S. viewers. Meanwhile, you can join Masterpiece's Facebook page to learn the news about the series. Click her to view the page. Today, Masterpiece announced that The World of Downtown Abbey goes on sale today. This would be your opportunity to learn what goes on behind the scenes of this great series.



For the few viewers who missed the first Season, Netflix is streaming it. While you're at it, Netflix is streaming Gosford Park as well. 

Thursday, January 28

Emma Twitter Party Redux on Sunday, January 31st 9-11 PM

Emma (2009), the new adaptation of Jane Austen's classic novel Emma premiered last Sunday and continues for the next two Sundays on Masterpeice Classic PBS. (check local listings) The Emma Twitter Party during the broadcast was such a screaming success that it will be duplicated in a bi-coastal celebration on January 31st 9-11 PM ET & PT at TweetGrid. Use hashtag #emma_pbs.

In conjunction with Masterpiece Classic PBS, Vic & I will be hosting the east coast party and Laurie Viera Rigler and Kali Pappas will be hosting the west coast party. In addition to all the great commentary and reactions by Tweeters, Masterpiece PBS and your co-hosts, there will be an Emma quiz and giveaway contest of Jane Austen Action Figures drawn from Tweeps who answer correctly. PBS is also offering a special 25% off merchandise at ShopPBS.org for the participants of the event. The special purchase code will be revealed during the event, so you can pony up and buy that Emma (2009) DVD which is released on February 9th, 2010.

Visit the Emma Twitter Party page at the Masterpiece Classic for details.
Join us at TweetGrid or your favorite aggregator for the Emma Twitter Party.
Vic tweets as janeaustenworld
Laurel tweets as Austenprose
Kail tweets as magicskyway
Laurie tweets as austen_addict
Masterpiece tweets as masterpiecepbs

Don’t miss out on all the merriment. “Seize the pleasure at once” and join the fun!

Cheers, Laurel Ann Austenprose

Thursday, January 21

Emma (2009) Music Video to Crystallised Beauty


This week is all about Emma (2009) the new adaptation of Jane Austen's 1815 novel of the the same name which begins on Sunday, January 24th on Masterpiece Classic/PBS. Enjoy this music video by cherrycakesbaybee featuring scenes from the mini-series set to the beautiful music Crystallised Beauty by Philip Sheppard.

"Why not seize the pleasure at once?" and join the red carpet premiere Emma Twitter Party on Sunday, January 24th 9:00-11:00 PM ET on Tweetgrid and Twitter presented by Masterpiece Classic. Use hashtag #emma_pbs to join in the fun.

Cheers, Laurel Ann, Austenprose

Tuesday, January 19

Emma (2009) begins next Sunday on Masterpiece Classic

The wait is almost over! Emma (2009), the new 3 part mini-series adaptation of Jane Austen's classic novel staring Romola Garai and Jonny Lee Miller will premiere on Masterpiece Classic next Sunday, January 24th, 2010 at 9:00 pm on PBS. Read a preview and see a slide show of the production stills at Austenprose.

Visit the official Emma website at Masterpiece Classic
Join the Masterpiece Classic red carpet premiere Emma Twitter Party

Cheers, Laurel Ann, Austenprose

Wednesday, January 6

The endearing ladies of Cranford return on Sunday

The new season on Masterpiece Classic begins on Sunday, January 10th, 2010 at 9:00 pm with Return to Cranford, the continuation of Victorian-era author Elizabeth Gaskell's stories about Cranford, an English village in Cheshire populated by endearing characters with traditional views facing the challenge of change during the industrial revolution in England during the 1840's. Here is a preview at Austenprose of the new two episode series which premieres on PBS. Since this is the last bonnet drama that the BBC/WGBH will be producing for some time, don't miss it!

Cheers, Laurel Ann, Austenprose

Monday, December 14

Cranford reprise on Masterpiece Classic

This Sunday December 20th, Masterpiece Classic returns to PBS with a reprise of last season’s highly acclaimed presentation of the mini-series Cranford based on Elizabeth Gaskell's classic novel airing in three parts on consecutive Sundays through January 3rd. Here is the description from the PBS website.

Welcome to Cranford, circa 1840 ... a rural English town where etiquette rules, undergirded by a healthy amount of gossip. Modernity is making a move in town as construction of a railway comes harrowingly close. Cranford's eclectic residents, among them Matty Jenkyns (Dame Judi Dench) her sister Deborah (Dame Eileen Atkins), and Miss Pole (Imelda Staunton), stay immersed in the sweet pleasures and sometimes heartbreaking realities of simple village life. But when a handsome, young doctor arrives with cutting-edge new techniques, it rapidly becomes clear that as the world changes, so Cranford will change with it. Based on three Elizabeth Gaskell novels (Cranford, My Lady Ludlow and Mr. Harrison's Confessions), and boasting an all-star cast, Cranford breathes life into one town during one extraordinary year.

This is really the wind up to the premiere on January 10th of the next two episodes of the saga, Return to Cranford. Yes, Miss Matty, Miss Pole, Mrs. Forrester and Miss Tomkinson, the amazons of the early Victorian small-town Cranford, return in a new production that is sure to charm and delight us. Produced by the estimable team of Sue Birtwistle and Susie Conklin who brought us Pride and Prejudice (1995), Emma (1996) and Wives and Daughters (1999), it may be the last bonnet drama produced by BBC/PBS for some time, so cherish every moment.

Visit the official Cranford site at Masterpiece Classic
Read Vic’s preview of Cranford at Jane Austen Today
Cranford is a Delightful Place to Visit at Jane Austen’s World
Some Say that Gaskell is Austen embellished with Dickens at Austenprose

Enjoy, Laurel Ann, Austenprose

Thursday, December 3

Masterpiece Classic 2010 Season

The Masterpiece Classic new winter-spring season will begin this month. Check out all the great bonnet & contemporary drama's in the line-up previewed at Austenprose and this new Emma 2009 video.


Enjoy! Laurel Ann, Austenprose

Monday, March 30

Watch Little Dorrit Episode One Again Online

For any readers who missed the premiere of episode one of Masterpiece Classic’s Little Dorrit on Sunday, you can view with streaming video on the Little Dorrit official website on the PBS website. It is turning out to be the mystery/bonnet drama of the season, so don’t miss it. Matthew Macfadyen as Arthur Clennam is engaging to watch, and Claire Foy as Amy Dorrit is endearing.

You can visit the official PBS Little Dorrit website for additional information on the characters, episode synopsis, cast interviews, and reflections by scholars on the original novel and its author Charles Dickens.

Further Little Dorrit Reviews & Resources

Little Dorrit Recap and Review of Episode One – Austenprose
Little Dorrit: "Money can only give happiness where there is nothing else to give." – Remotely Connected
Little Dorrit: The Character of Flora and How She Resembles Charles Dickens' First Love - Jane Austen's World
Little Dorrit on PBS – Scott D. Parker
Little Dorrit (I) - The Little Professor
Little Dorrit Episode 1 - The Egalitarian Bookworm
Little Dorrit Part I - Cake and Ale
Little Dorrit Screencaps Episode I - Enchanted Serenity of Period Films

Cheers, Laurel Ann, Austenprose

Friday, March 27

Get Ready for Little Dorrit on Masterpiece: Preview of Matthew Macfadyen as Arthur Clennam

British actor Matthew Macfadyen stars as Arthur Clennam in the new BBC/WGBH miniseries of Charles Dickens Little Dorrit premiering on Sunday, March 29th on PBS. Macfadyen plays a mysterious figure whose return from overseas is prompted by his dying father's last wish, completely transforming the lives of the Dorrit’s.

The charismatic leading actor, who has gained a huge following on the small screen as Tom in Spooks and on the big screen as Mr. Darcy in Pride & Prejudice 2005 with Keira Knightley, says he had no hesitation in accepting the role of Arthur. Here is an interview from the BBC press office.

"This story really blew my hair back," he grins.

"Then when the rest of the casting came through, I couldn't believe my luck. I've been in some sexy casts in my time, but nothing quite like this!"

Matthew, who has also starred in The Way We Live Now, The Project and Warriors, goes on to outline the role.

"It's quite a challenge playing Arthur. At first, I was worried that he's merely the glue that sticks this story together."

"I didn't want him to be drippy or overly passive or always on the back foot. There's always a concern as an actor that you'll be boring unless your character is swinging from a chandelier."


"But once I got into the part, I realised that Arthur is really quite sympathetic."

As it went on, "I discovered him to be richer and richer. He's got genuine depth."

"He's getting on a bit and he's still suffering the after-effects of his awful lonely upbringing at the hands of his terrible mother and father. He's emotionally bereft, and I think people will really feel for him."

Matthew reckons that "audiences will also be intrigued by the mystery element to his story. His father has given him a watch which has this strange message inside and Arthur feels a family responsibility to solve it. It's an old-fashioned whodunit, and it's frightfully intriguing."

As the title indicates, at the heart of the piece is a deeply moving relationship between Arthur and Little Dorrit (Claire Foy).

"That relationship is lovely," Matthew beams.

"It's very poignantly drawn and so true to life about male-female relations. He has no clue that the person who loves him is standing right in front of him."


"Audiences will be shouting at the screen, 'come on, Arthur, you twit! Open your eyes!'"

Matthew relished his scenes with Claire.

"She's totally brilliant. It's a huge task for anyone, but for her to pull it off on her first or second job out of drama school is just amazing. She's also completely down to earth. She's very good news."

The actor was equally excited about appearing opposite one of his idols, Sir Tom Courtenay, who plays Amy's father.

"I did a fair bit with Tom. You can learn so much from watching him - he's an actor to his fingertips. I loved working with him."

"In fact, this whole project has been bliss!"


In addition to the very talented and easy to look at Mr. Macfadyen, Little Dorrit includes a huge cast of exceptional British actors who have also stared in other Jane Austen adaptations such as Judy Parfitt as his stoney mother Mrs. Clennam (Lady Catherine de Bourgh in Pride and Prejudice 1980), James Fleet as Frederick Dorrit (John Dashwood in Sense and Sensibility 1995), Ruth Jones as Flora Finching (Bates’ maid in Emma 1996), Jason Watkins (Rev. Clarke in Miss Austen Regrets 2008), Robert Hardy as Tite Barnacle (Sir John Middleton in Sense and Sensibility 1995), and Harriet Walter as Mrs. Gowan (Fanny Dashwood in Sense and Sensibility 1995).

This sprawling miniseries airing over the next five Sundays on PBS is based on Charles Dickens classic novel Little Dorrit and has been adapted by Andrew Davies who also brought us many Jane Austen adaptations: Pride and Prejudice 1995, Emma 1996, Northanger Abbey 2007, and Sense and Sensibility 2008. It is a riveting mystery/drama/romance set in 1820’s London which will keep you on the edge of your seat, and feed your need for an engaging bonnet drama. Don’t miss it.

Check out these other great resources for Little Dorrit

Masterpiece Classic official Little Dorrit website
Little Dorrit Cast and crew interviews
Little Dorrit episode synopsis
Information on author Charles Dickens
My contribution on Remotely Connected: Little Dorrit: Money can only give happiness where there is nothing else to give

Cheers, Laurel Ann, Austenprose

Monday, March 23

Preview for Masterpiece's Little Dorrit

The Tales of Charles Dickens continues on Masterpiece Classic as a new five-part miniseries of Little Dorrit premiers on Sunday, March 29th at 9:00 pm and continues for the next four Sundays through April 26th on PBS. (check your local listings) This new BBC production aired in the UK last year to strong reviews. Like most of Charles Dickens works, it contains a huge cast of memorable characters. You can read the complete list of the cast at the PBS Little Dorrit website, along with a complete synopsis of each five episodes.

Vic's Reviews of the Series:
From the PBS press release

One of Charles Dickens’ greatest love stories also has the timely theme of chronic debt and financial collapse. Adapted by screenwriter extraordinaire Andrew Davies (“Bleak House,” “Pride and Prejudice”), the five-part miniseries stars Matthew Macfadyen (Pride and Prejudice with Keira Knightley) as hero Arthur Clennam, newcomer Claire Foy as Amy “Little” Dorrit and Tom Courtenay (The Loneliness of the Long Distance Runner) as her father, who has been incarcerated for 25 years for insolvency. Scores of other great actors appear in this moving tale that was particularly close to Dickens’ heart, since his own father did time in debtor’s prison.





Don't forget to mark you calendars, or set your Tivo's & DVR's. This is the costume drama of the season to watch! Cheers, Laurel Ann, Austenprose

Wednesday, March 11

Little Dorrit is Coming to PBS Masterpiece Classic


Matthew Macfadyen plays the hero, Arthur Clennam. Claire Foy is the perfect Little Dorrit, and Tom Courtenay makes a rare television appearance as William Dorrit, who lords it over others in debtor's prison. This PBS adaptation starts March 29 on PBS and ends April 26, 2009.
If you have not read Charles Dickens' Little Dorrit, and have no time to pick up a book, you can listen to this fascinating tale in audio format. Click here to enter the Naxos Audiobooks website and order the unabridged or abridged versions.

Tuesday, February 10

Oliver's Cold Gruel World is Coming to PBS's Masterpiece Classic

"Please sir, I want some more". These immortal words were spoken by young Oliver Twist when his hungry stomach ruled over this common sense. Charles Dickens, the author of this bleak but unforgettable novel, was born in 1812 in Portsmouth, the year that Jane Austen published Mansfield Park, a novel she partially set in that city and where Fanny Price's family lived in poverty. Dickens experienced hunger and dire poverty first-hand, having worked in the poor house from the age of 12 when his father was thrown into prison.

This recipe for workhouse gruel is taken from the January 1837 edition of the Champion and Weekly Herald:

Take ten quarts of ditch-water, and stir it well with the body of a farthing rushlight, till it boils. Season it to your liking with old tea leaves, and it will be ready for use. The wick, which will not dissolve, is a delicious relish, and may be bottled whole, and, if [you] should want dessert, suck your fingers. - From the Masterpiece Theatre Archives

A new adaptation of Oliver Twist will be shown on PBS's Masterpiece Classic this Sunday, February 15, 2009. Watch a preview clip here.

  • A more palatable recipe for gruel sits in this link: Gruel World
  • Think you know your Charles Dickens classics? At this link find several Oliver Twist Games: Matching Game, Word Search, and Cross Word

Wednesday, February 4

Ruby Bentall – A Most Memorable Mary Bennet

British actress Ruby Bentall’s portrayal of Mary Bennet in the recent miniseries Lost in Austen is by far the most interesting interpretation of the sanctimonious middle Bennet daughter of Pride and Prejudice yet. Not only was she given more lines by the screenwriter Guy Andrews, she was actually allowed to be interested in other things than scripture, reading and singing at the pianoforte by showing concern for her sisters and participating in the conversation. Ms. Bentall’s wide eyed and often stunned expressions served her well, adding to the impact and humor of this delightful time travel parody of Pride and Prejudice.

Recently interviewed about her role as Mary Bennet for Jane Austen’s Regency World Magazine, this young actress has made a solid start portraying interesting characters. She made her stage debut in 2008 as Lea in The National Theatre’s production of DNA and as Veronica in The Miracle in London, and also played Tish in Sister Agnes Investigates on BBC Radio 4 the same year. Born in London in 1988, Ruby has solid theatrical roots - she is the daughter of actress Janine Duvitski (Vanity Fair 1999 & Little Dorrit 2008) and actor Paul Bentall (Vanity Fair 2004 and Silent Witness 2007). If you are lucky enough to live on the other side of the pond, you can catch her as Minnie the hopeless housemaid in the second season of BBC One’s production of Lark Rise to Candleford, which stars Julia Sawalha (Pride and Prejudice 1995).



Be sure to catch her performance as Charlotte in this month’s Masterpiece Classic presentation of Oliver Twist (2007) which begins on Sunday February 15th on PBS and concludes the following Sunday the 22nd. You might just notice some other familiar faces in the production also: Morven Christine who plays Rose was Ruby’s sister Jane Bennet in Lost in Austen (and is also in the soon to be released The Young Victoria), Anna Massey as Mrs. Bedwin (Mansfield Park 1986), and Tom Hardy as Bill Sikes, who just portrayed Heathcliff in Wuthering Heights (2008).





Ruby has a bright career ahead of her. She is one to watch.

Cheers, Laurel Ann, Austenprose

Tuesday, January 27

Get Ready for Masterpiece Classic’s Rebroadcast of Sense and Sensibility

Tune in to PBS this Sunday to enjoy the rebroadcast of the award winning adaptation of Jane Austen’s Sense and Sensibility presented on Masterpiece Classic on February 1st and 8th at 9:00 pm (check your local listings). This new 2008 production was scripted by Andrew Davies and stars Hattie Morahan and Charity Wakefield as sisters Elinor and Marianne Dashwood and was well received by critics and the Austen community.

Following the Sunday presentation, join Professor Joan Ray, JASNA Past President, for an online discussion about the adaptation February 2nd - 13th at the Barnes & Noble Classics Book Club website. Just visit the Barnes & Noble Book Clubs at their online website, register for free and join the discussion. Prof. Ray is the author of Jane Austen for Dummies and a very popular guest speaker.

Brush up on the production with these resources

Sense and Sensibility – Masterpiece Classic official web site

Sense and Sensibility: Cast Preview – Austenprose

Reviews

Sense and Sensibility 2008 Makes Wonderful Sense For the Most Part – Jane Austen’s World

Withstanding Sense, or Sensibility: Review of Episode One – Austenprose

Sense and Sensibility: Conflict of Heart Over Head: Episode Two - Austenprose

Cheers, Laurel Ann, Austenprose

Saturday, January 17

Heathcliff: Who is Your Favorite?

Masterpiece Classic will be showing Wuthering Heights Sunday nights January 18th & 25th, 9 PM EST on your local PBS stations. Tom Hardy plays the new Heathcliff. However, this book has been adapted many times for film and the theatre. Over the years, who is your favorite Heathcliff? Inquiring minds want to know. Read Vic's review on Remotely Connected, and a tongue in cheek description of Heathcliff and Cathy on Jane Austen's World.

Tom Hardy, 2008 Masterpiece Classic version.

A dark and unhandsome Heathcliff who seeks revenge and is a tortured soul.




Sir Laurence Olivier, Heathcliff in the classic 1939 William Wilder film

A "Gypsy" Heathcliff and wildly romantic. Only 1/2 the tale is told in this film. Along with Mr. Darcy, this role made Olivier's career in films








Ralph Fiennes in the 1992 film version of Wuthering Heights

A cross between a revengeful and romantic Heathcliff. This version presents the complete novel.





Timothy Dalton in 1970 Wuthering Heights - a more gentle retelling of the tale.

Watch him in a clip at Cathy's grave.


pollcode.com free polls
Favorite Heathcliff
Tom Hardy Laurence Olivier Ralph Fiennes Timothy Dalton
There are more Heathcliff actors (see link below). Even the singer Cliff Richards played him. But the above actors are the most well-known. Which is your favorite?

The Character of Heathcliff: The Reader's Guide to Wuthering Heights.

Saturday, November 22

Laura Linney: New Host of Masterpiece Classic

An exciting new season is in the works for Masterpiece Classic starting January 2009. Laura Linney, who replaces Gillian Andersen as host, announces the exciting new lineup in this 30 sec. YouTube clip:




Join us as we continue our Six Degrees of Austen Adaptation Separation Series in following this wonderful lineup.

Friday, September 12

Jane Austen Connection to Mills and Boon Bodice Rippers?

Not being a Brit (sigh) I did not understand the cultural significance of Mills & Boon! What the heck is a Mills & Boon? My American sensibilities imagined it as a cocktail made with Boons Hill Farm wine! Us Yanks are so uncouth, but the Brits may be quickly approaching. The Mills & Boon mystery was clarified by recent news articles announcing a new BBC Four production, Consuming Passion, 100 Years of Mills & Boon, to be aired on UK tellie this autumn. It appears that Mills & Boon are book publishers (duh) and their reputation in Britain and the world for a good bodice ripper is renown (except to this writer who lives in a Austen vacuum). The US equivalent would be Harlequin Romances, which by-the-by, purchased the company in 1971.

Mills & Boon is celebrating their 100th anniversary in business this year, so they must be doing something right! Well, many faithful readers over a century and the BBC seem to think so. The new 90 minute movie focuses on the history of the publishing house with stories of actual women behind the scenes beginning in 1918 to contemporary times. The producers have promised that it will be very raunchy - ahem - one assumes not to disappoint their many faithful readers and the BBC viewers in general since BBC Four’s slogan is “Everybody needs a place to think”. Right. Maybe they should amend that to “Everybody needs a place to _ _ _ _”?

Of note are two Jane Austen connections in the production; director Dan Zeff who brought us the new ITV Lost in Austen mini-series currently airing in the UK under much controversy and discussion, and Emilia Fox, who portrayed the sweet and innocent Georgiana Darcy in the 1995 BBC/A&E production of Pride and Prejudice. Oh my, it appears that Georgiana’s innocence many have progressed, along with the tenor of the times!

The BBC Four is renown for producing critically acclaimed costume dramas over the years such as the recent Sense and Sensibility and Cranford which made their way across the pond and onto to PBS’s Masterpiece Classics series. One wonders out loud what direction UK television is taking to attract a wider and younger audience, and if adaptations of classic novels by Jane Austen and Elizabeth Gaskell are now passé? The BBC recently confirmed its commitment to period drama, so let's hope that we won't be teased with these imitations and parodies such as Lost in Austen which are quite diverting, but not the real thing.

Laurel Ann, Austenprose

Wednesday, May 7

Cranford's Younger Spinsters and the Actresses Who Played Them

Kimberley Nixon
Character: Sophie Hutton, minister’s daughter, Dr. Harrison’s love interest, and mother figure to her siblings. She was thrust into the role at too young an age. Sophie reminds me of Fanny Knight, Jane Austen’s niece, who was the eldest of eleven children. When Fanny’s mother died, she served as mistress to her father’s household and took care of her ten younger siblings. Fanny bore nine children of her own. One can quite imagine that after Sophie Hutton marries her doctor, she will live her life much as Fanny did, in the bosom of her family and raising children.

Kimberley Nixon’s association with an Austen adaptation is through Felicity Jones, who played Catherine Morland in Northanger Abbey 2007. Both actresses were featured in Screen News in 2007 as Stars of Tomorrow. Kimberley’s career began with Cranford, which she began filming before she had finished her degree at the Royal Welsh College of Music and Drama. Kimberley's next project is a boarding school comedy called Wild Child, released in March, in which she torments a spoiled newcomer, played by American actress Emma Roberts. We suspect Kimberley has a long career ahead of her.

Read more about Kimberley at this BBC Press Site, and at these other sites:

Kimberley Nixon plays Sophy Hutton

Screen Daily News, along with Felicity Jones, a star of tomorrow

Lisa Dillon
Character:Mary Smith, the narrator of the Cranford Chronicles in the book, and the voice of, as some suspect, author Elizabeth Gaskell. As an outsider, Mary's close observations of the townsfolk of Cranford allow her to solve a few crucial puzzles and resolve some issues, tying important loose ends together. Mary Smith represents the new, independent woman, one who is unafraid to live as a single woman on her stipend, and who is eager to experience the world before settling down.

Watch Lisa discuss Cranford on BBC Breakfast

Lisa Dillon's association with an Austen adaptation is that she played in Cambridge Spies along with Rupert Penry-Jones, who played Captain Wentworth. Until recently, Lisa and Patrick Stewart were a couple in real life. Patrick played opposite Jonathan Rhys Meyers in The Lion in Winter. Jonathan played opposite Keira Knightley in Bend it Like Beckham, and Keira played Lizzy in Pride and Prejudice 2005. (Four degrees of separation).

In 2003, Lisa was awarded the London Critics Circle Theatre Award for Most Promising Newcomer. Her father was Janek Stawiarski, a Polish refugee whose family moved to Coventry after the War. While Lisa as Mary has been given the role of observer, she plays the part so well that, as a friend observed, I can't take my eyes away from her.

Read more about Lisa at this BBC Press site, and at these other sites:

Lisa Dillon: Royal Academy of Dramatic Art

Lisa Dillon IMBd biography

Claudie Blakley
Character: Martha, the maid of all work with the heart of gold. Martha so adores Mattie, that she is willing to work for her for free. While there were many more upper class widows and spinsters in Cranford than eligible men to go around, there were plenty of lusty young men for the lower class women. Martha loves Jem the carpenter, but must keep her relationship with him a secret because of Miss Mattie's strictures. This film adaptation demonstrates the two different forms that courtship takes in this town: that of the doctor and the minister's daughter, who don't dare to touch; and that of the carpenter and the maid of all work, who lie together in a field or side by side in a bed before marriage.

People will recognize Claudie as Charlotte Lucas in Pride and Prejudice 2005 (one degree of separation), and the sad, ignored Mabel Nesbit in Gosford Park. Known largely for her work on stage, Claudie is currently starring in Lark Rise to Candleford.

You can see Claudie at the far left in the cast photo of Pride and Prejudice 2005 below. Can you recognize all the other P&P actors and the characters they played?


Julia Sawalha
Character: Jessie Brown. Jessie Brown is a character too good to be believed, sacrificing her youth and happiness to take care of an ailing mother and sister, and turning down a marriage proposal for the second time in order to take care of her father. Will Jessie ever find happiness? Stay tuned and find out.

Click here to watch BBC's Breakfast interview with Julia




Julia is probably the best known actress playing one of the young spinsters. I loved watching Julia as Saffron Monsoon in Absolutely Fabulous, sparring with her mother, Edina, and best friend Patsy. Her turn as the level-headed daughter was spot on. Julia also played Lydia Bennet in Pride and Prejudice, 1995. Although she played the character with youthful energy, I never quite thought her right for the part. She was also the voice actress in Chicken Run, playing Ginger, the romantic lead. In my estimation, the best part she ever won was as Maria Mason in Horatio Hornblower. Her character married the handsome Horatio, but alas this wonderful perk came with a price: poor Maria died in child bed.

Click here for an extensive biography on Julia

Click here for a series of Julia Sawalha links

Selina Griffiths
Character: Caroline Tomkinson. Caroline is the sort of sexually repressed Victorian spinster that Sigmund Freud liked to observe. A lusty girl with a yen for living, she is constrained to live a sedate existence in a town where eligible men are few and far between for a woman of her station. Caroline feels her biological clock ticking, and her heart palpitates any time she is near the new doctor. While she bats her eyelashes at him, he has only thoughts of Sophie.

Selina’s work biography is short but excellent, and as Marigold in the Smoking Room she wowed this critic.Her mother is actress Annette Crosby, who played opposite David Rintoul in Dr. Finlay. David played Mr. Darcy in 1980. (Two degrees of Austen adaptation separation.) Annette also played in Calendar Girls with Ciaran Hinds, who played Captain Wentworth.

Can't get enough of Cranford? Find out more about the series in The Life of Wylie

Click here to view the characters of Cranford on the PBS site.

Missed Cranford? Click here to watch it on PBS until May 23. After May 23rd, click here to see it on YouTube: Cranford with foreign subtitles
Posted by Ms. Place

Monday, May 5

CRANFORD: Male cast highlights episode one

Episode one aired of the Masterpiece Classic presentation of Cranford last Sunday, and even though the main characters are all women, the supporting male cast is quite commendable. My favorite male performers were Simon Wood (Dr. Harrison) and Alistair Petrie (Major Gordon). I guess that you can assume that I am easily swayed by smart men who save lives and fight for England. Like Lydia Bennet, I am always partial to a handsome man in uniform!

Both of these fine British actors have Jane Austen connections in their background having played supporting roles in Austen adaptations in the past; Simon Woods as Charles Bingley in Pride and Prejudice (2005), and Alistair Petrie as Robert Martin in Emma (1996).

I did not make the connections immediately, but soon my memory dawned and I remember Simon because of his smile, which I should never have been forgotten because we all know that Charles Bingley smiled great deal at Jane Bennet. I think that I was thrown by his hair! It looked so normal and flattering, as opposed to the 'There's Something About Mary' hairdo that he was given in Pride and Prejudice.

Alistair Petrie was a slower connection. I did not remember him immediately as Robert Martin from Emma, mostly because he had a smaller role, and it has been 13 years since the Kate Beckinsale version of Emma aired and he is now a mature man. Maybe I was just watching the brass buttons on that tall uniform, or was lulled by his beautiful Scottish accent. La!

Honorable mention goes to the young Alex Etel, the bright but impoverished Harry Gregson who tugged at my sympathies but was not maudlin. For one so young, he is either naturally talented or exceptionally directed to play his scenes so smoothly and unaffected.

I understand that this is his third acting engagement, and next after playing Angus MacMorrow in the big screen fable, The Water Horse: Legend of the Deep in 2007. What a fine David Copperfield or Oliver Twist we would have made. It is unfortunate that both novels have been filmed by the BBC recently in 1999 and 2005 respectively. Boys grow so fast a this age, that I fear that he has already lost that window.

I hope that you all enjoyed the first episode of Cranford and will continue on with the next installment next Sunday, May 11th at 9:00 pm on PBS. You can read the synopsis of episode two here. I highly recommend it, and as we all know, the second act of any play, movie or opera is always the best. (Case in point, Star Wars: The Empire Strikes Back, but that is another genre, and I must not digress!)

Posted by Laurel Ann, Austenprose

Saturday, May 3

Cranford Episode One: Mrs. Elton Sez...

Gentle Readers… Cranford arrives... and a contest begins!

Cranford, episode one, the PBS mini-series of Elizabeth Gaskell’s novel premiers tonight on PBS at 9:00 pm. It received rave reviews when in aired last fall in the UK, so we are quite excited to meet Misses Matty (Judi Dench) and Deborah (Eileen Atkins) and the other ladies of the charming English
village of Cranford. The delight will be the pleasure of their company for the next three Sundays (May 4th, 11th and 18th), and to have the distinct honor of author Diana Birchall’s contribution as she channels Jane Austen’s infamous gad-about and all around busy-body Mrs. Elton from the novel Emma. Readers will remember Mrs. Elton’s recent visit when she reviewed the PBS airing of the adaptation of Emma last March on Austenprose, and her hilarious book, Mrs. Elton in America

Diana Birchall’s introduction…

Oh, my poor head. It is that infernal Mrs. Elton trying to get out again. It's like having a woodpecker rapping on your skull from the inside. Why can't I be the medium of channeling one of Jane Austen's nicer characters? Lizzy, say, or Anne, or my dear Mr. Tilney. But no. To have this woman's caw sounding in my ears is no pleasure, I can tell you. Still, it might be worse; I might be afflicted with Mr. Collins.

I saw the first hour of the new Cranford at a screening the other evening, and sure enough, I was awakened that very night by that inimitable indignant voice. Mrs. Elton, resident still of Highbury, demands to tell the world what she thinks of Cranford. I had better let her do so, or the woman will drive me mad. Some might say she has done so already. Well, here's Augusta Herself, I wish you joy of her.

Mrs Elton has her say…

Good heaven! It is a fine thing to be back at home in Highbury again. You would not think, that at our age, Mr. E and I would fly about so much as we do, but I assure you it is so. We have been to Cranford, which you must know is in the very vicinity of Manchester, and that is almost as dire-sounding a place as Birmingham.

It is very far to go for an exploring-party, but we cannot always be visiting Selina, and places about Bristol; and so we went to the Peak, on a party of pleasure, which was very delightful. On our journey home however our carriage broke down, and it was fortunate that I realized we were within half a dozen miles of Cranford, where Mr. E has some connections; and I told him to send the man to my Lady Ludlow forthwith, and beg her for some assistance.

That is, we have only seen my Lady Ludlow the once, at her great barracks of a place, when last we were visiting Cranford, some five and twenty years ago, but we have heard of her for ever in letters from Miss Matty and Miss Deborah. They are some sort of cousins to my dear Mr. E, though really we see them very seldom, for they are not quite the style of people we would care to have visit us in Highbury, though very good sort of folk I have no doubt.

It was growing rather late, and rather dark, and so we were glad when the man returned at last with some sort of – conveyance, I suppose it must be called, that I believe the people of Cranford hire about among themselves; I should have been ashamed to have been seen in such a horrid old coach, only for the extreme exigency. As we drove into Cranford, it was still light enough to see; and then I remembered what a squalid little place it always was, and still is. Indeed, I would not have believed it; it has not changed one iota this quarter of a century, and is positively primitive, not to say vulgar. But that is an epithet that belongs more to the people than the buildings.

It was, however, perfectly indispensible, in these circumstances, that we visit poor Miss Matty and Miss Deborah; and there they sat in their sad little house, lit by only two candles, and those not even made out of wax. Only think! When I was first married, in 1815 as was (though I have heard that some people do believe that the events of Emma occurred in 1808; they may talk about "internal evidence" all they like, but I assure you that is quite a wrong notion), we had wax-candles in every room of the vicarage. It was quite a paradise of light! Nowadays, of course, we use the most up-to-date methods, and have gas-lamps throughout; but I do not believe they have a single gas-lamp in Cranford to this day, in the year of our Lord and our good Queen, 1851: Was there ever such a village!

And Miss Matty and Miss Deborah – I never was so shocked in my life. I remembered them to have been, never pretty girls, but Matty was rather sweet, and Deborah rather handsome; and now they are hideous, quite hideous. Thank heaven! I have preserved better than they; but then, married women you know, have comforts, which single women have not, and it was perfectly plain to see that spinsterhood has taken its toll on these sweet sisters.

I did wish my Lady Ludlow would have been to home, as her dwelling would have been so much more suitable for us in every way, for even such a temporary sojourn; it is larger even, I believe, than Maple Grove. However, great people have their whims, and she might not remember us, or as seems likelier, even be dead. Mrs. Gaskell's story My Lady Ludlow was written in 1857, you know, much after Cranford, and it tells about times past, when the lady was already quite an old woman, so I do not know what she is doing in that modern stereopticon story; but I will not cavil now. Well, well, there was nothing to do but to make ourselves content where we were, as I am sure I have always a great talent for doing, even in the very heart of Cranford. Mr. Elton was uncomfortable enough, as it was perfectly plain that the ladies did not at all care to have a man in the house, but however they disliked his sex, he is a relation, and they could hardly turn him out so late at night.

To return to this stereopticon affair. It is a great invention, to be sure, a new kind of photography, I collect, that permits pictures to positively move, in a most uncanny fashion; and the photographers quite rightly have taken all of Miss Jane Austen’s books and done full justice to them before making any attempts upon the works of Mrs. Gaskell, who is much inferior, as I can say without any prejudice at all. It is quite a miracle, to be sure; yet it is also positively amazing how many mistakes have been made in the course of this prodigious entertainment. For one, it said that the events in Cranford transpired in 1840, which every body knows not to be true; and for another, it has a most mysterious propensity for placing people from other – worlds, I was going to say, but perhaps more properly books, all together in a miserable confusion. Just as ranks and circles, lines and spheres, ought not to be confounded, people from one place and class ought not to be mixed. Lady Ludlow is only one example. It is quite wrong. Can you imagine what would happen if people created by Miss Jane Austen, say, were to meet with those who were the invention of Mrs. Gaskell? Heaven above! If would be bad enough if Mr. Darcy were to sit on the same Magistrates court with Mr. Knightley, or if Emma Woodhouse and Fanny Price were to be bosom friends. No, no, such half and half doings can never prosper, I assure you.

You may then ask, what am I, Mrs. Elton, who flourished in Highbury in 1815, doing in Cranford at the middle of the century? That is easy to answer. Although Miss Jane Austen did not survive, I have, and at this time am barely fifty, or at least not much more than sixty, and quite as vigorous and fresh as a woman half my age, I do assure you. Mr. E keeps well too, and now that our children are grown and all in their different places (our oldest, Philip Augustus, has gone to America and is a Congressman, you know, and a very great defender of the Indians), we have recaptured all our early passion for exploring. You must not think us the sort of provincial folk who never stir from their park, like Mrs. Knightley, or indeed, these poor good Jenkyns sisters.

I will have a great deal to say about my visit to Cranford, in ensuing visits, and not all of it complimentary, you may depend upon that; but you only hear truth from me. I never compliment, as every one knows. I have already told you how I was first struck with the appearance of poor Miss Matty and Miss Deborah; so that I was quite ashamed to be seen beside them, as even my second-best traveling gown was made of silk, and I had a very fine pelisse with sable upon it, which I saw them noticing, poor things. They tried to look disapproving, with meaningful looks, but I could not be taken in; what could they have felt but envy? I am sure they do not see such a dress from one year to the next; their own gowns were positively rusty.

And the food that was spread upon the table, my dear! It was so scanty, that I honestly was afraid they were starving themselves to give us tea; I would send them some vegetables from the vicarage garden if only it was not such a very great distance away. There were so many signs of their poverty altogether, I was quite uncomfortable. Not only did they speak incessantly of “elegant economy,” but I can swear I heard the words “Cheshire is cheaper.” Exactly so! as my caro sposo would say. I really think I need say no more of these people’s gentility. There was not even a scrap of ice upon the table; I remember making quite a fuss about ice in the card-parties at Highbury when I was first transplanted there as a bride, but more than thirty years later, these poor people have nothing but the pitifulest old ice house across the village square, shared in common with every body else in the place – more of your leveling notions. It is all of a piece with the gas-lamps.

The ladies of Cranford do have some notions of decorum and gentility, I grant, though they are so very countrified and live such a retired life as to be quite out of the fashionable world. I do believe that the vulgarity shown in that regrettable stereopticon play can be laid almost entirely at the door, not of the ladies or even poor Mrs. Gaskell, but of the photographer himself. I am sure he was not a gentleman, for he insisted upon us watching a medical operation (Mr. E would never allow me to see such a thing). There was also such a vile business made about the cat and the boot; and to think of having Miss Matty say that a cow is quite a daughter to her!

Surely, to speak of the barnyard is the province of farmers, not gentlewomen. I was never in any party where ladies spoke in such a way. Those who say that the Victorian age is a more prudish one than what preceded it are quite mistaken. Miss Jane Austen does not even once mention a cat in a single one of her books; and I am sorry to be forced to the conclusion that Mrs. Gaskell is the vulgarest of the two. And I am a judge. I always had a natural inclination in that way even as a young woman, and now, as I am quite the first lady in society in Highbury (except, perhaps, for Mrs. Knightley, whose adherents are perfectly deluded), I am abundantly qualified for the office of pointing out the deficiencies of Cranford.

Quite another matter from the elegancies of life in either Cranford or Highbury, is this stereopticon play. It will be natural for me to give my strictures and opinions on these proceedings as they are unfolded, as I have now endured a – Skreening, they call it, of the first part of the business. The occasion, I must confess, opened with some éclat. I was invited – for who could think of leaving me out – to a little party that was held in late April in a ballroom, a very large ballroom indeed. This ballroom, or perhaps stadium, quite resembled Astley’s, I thought, though without the horses, and was in a very fine modern building called the Directors Guild, in the Far Western American city of Los Angeles. A Picture-Palace, I am told such places used to be called. The people who came (and very oddly they were dressed, too; the ladies nearly all in breeches, and with their hair so short, so oddly coloured, my dear! How you would have stared).

We were given quite elegant viands, prawns, and potato-pancakes, and Italian meats – most elegant, and the place was lighted up so brilliantly, it must have cost a vast sum in gas-lamps. Well: they showed a part of this Cranford play, up on an immensely large wall hanging, and the audience liked it vastly, they made very little attempt to conceal their rather indecorous laughter, at the Cranford people’s quaint doings, which I thought quite rude. I do not believe I have ever seen so many people all together in my entire life, but most remarkable was what happened at the end. Chairs were placed upon the stage, and who should walk out and sit in them but the very actresses we had seen on the Skreen but moments ago! They seated themselves, and spoke with great condescension and cordiality, for full an hour; and the audience were very cordial to them in return, though to be sure, they acted very well, only too well, so that it made one about what their reputations could be.

I do not know exactly, but I suspect a great deal. Jane Tranter, head of BBC Fiction, spoke, and the Director, Simon Curtis, and the Writers and Creators, Heidi Thomas, Sue Birtwistle and Susie Conklin (such outlandish names!) were also present; but one person was not, and that is Mrs. Gaskell, which is perhaps not to be lamented, as I do not know if she could have borne to hear her name bandied about publicly in this immodest and vulgar fashion. It did very well in this Far Western setting however, which was vulgarity personified. I was much diverted to see how much younger the actresses looked in their strange costumes – the ordinary clothes they had worn in the play were modester, but it must be admitted, made them appear much older. Miss Eileen Atkins in particular, was quite animated and youthfully pretty, though she had been quite dour and pinched as Miss Deborah; and Miss Imelda Staunton was jocular, while Miss Judi Dench seemed very familiar with Miss Atkins, as they spoke of being acting together as sisters for the first time fifty years ago, in 1958, which made me laugh as of course that is a good hundred years in my future.

One thing I was surprised to hear Miss Deborah say, was, that a woman is not the equal of a man, but always his superior. That is a more dangerously revolutionary view than I can readily comprehend, having always shown my conjugal obedience to my dear Mr. E; but I always stand up for women myself, and Cranford is a society of women – Amazons, Mrs. Gaskell calls them. But I am sure she is being ironic. I dote upon irony, but I would not trade my position as a married woman, for any thing.

Oh! What a nuisance. Mrs. Diana Birchall wishes to get some rest. I suppose I shall have to be shut up again in her ridiculous head, but I trust she will allow me to deliver my opinions of farther episodes of this peculiar stereoptican that is portraying Cranford and its residents, in part, as it were, and through a glass darkly.

Yours very sincerely

Augusta Elton

CONTEST: Thank you very much Mrs. Elton. We look forward what you have to say about episode two of Cranford on Sunday next, May 11th. at 9:00 pm on Masterpiece Classic. We would love to read your opinion of Cranford, and if you leave a comment between May 4th and May 18th, your name will be entered in a drawing on May 19th for a free copy of Diana Birchall’s book Mrs. Darcy’s Dilemma. Good luck to one and all!

Posted by Laurel Ann, Austenprose & Ms. Place, Jane Austen’s World