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Showing posts with label Elizabeth Gaskell. Show all posts
Showing posts with label Elizabeth Gaskell. Show all posts

Wednesday, September 29

Happy 200th Birthday, Elizabeth Gaskel

Laurel Ann from Austenprose is hosting a birthday party for Elizabeth Gaskell on her 200th birthday!. The following bloggers are posting information about her on the same day. If you leave a comment on any of these blogs (including this one), you will be eligible to win a Naxos Audio book of North and South (value: $90). Listed are the participating blogs, including Jane Austen's World and Tony's blog, London Calling.

Spread the word!

Biography

Novels/Biography
Novellas
Resources
  • 14.) Your Gaskell Library – Links to MP3′s, ebooks, audio books, other downloads and reading resources available online: Janite Deb -Jane Austen in Vermont
  • 15) Plymouth Grove - A Visit to Elizabeth Gaskell’s home in Manchester: Tony Grant –London Calling 

Monday, January 18

Win a copy of a Naxos Audiobooks recording of Cranford by Elizabeth Gaskell

Did you enjoy the conclusion of Return to Cranford last night on Masterpiece Classic? Would you like to listen to an audio recording of the original novel that inspired it? Enter a chance to win one copy of a Naxos Audiobooks recording of Cranford, by Elizabeth Gaskell by following this link to Austenprose and leaving a comment by January 24th, 2010 stating which character in Return to Cranford was your favorite, or which Victorian-era author you have read and would like to see an audio book recording made of. Winner to be announced on January 25th, 2010. Shipping to US and Canadian addresses only. Good luck!

Cheers, Laurel Ann, Austenprose

Monday, December 14

Cranford reprise on Masterpiece Classic

This Sunday December 20th, Masterpiece Classic returns to PBS with a reprise of last season’s highly acclaimed presentation of the mini-series Cranford based on Elizabeth Gaskell's classic novel airing in three parts on consecutive Sundays through January 3rd. Here is the description from the PBS website.

Welcome to Cranford, circa 1840 ... a rural English town where etiquette rules, undergirded by a healthy amount of gossip. Modernity is making a move in town as construction of a railway comes harrowingly close. Cranford's eclectic residents, among them Matty Jenkyns (Dame Judi Dench) her sister Deborah (Dame Eileen Atkins), and Miss Pole (Imelda Staunton), stay immersed in the sweet pleasures and sometimes heartbreaking realities of simple village life. But when a handsome, young doctor arrives with cutting-edge new techniques, it rapidly becomes clear that as the world changes, so Cranford will change with it. Based on three Elizabeth Gaskell novels (Cranford, My Lady Ludlow and Mr. Harrison's Confessions), and boasting an all-star cast, Cranford breathes life into one town during one extraordinary year.

This is really the wind up to the premiere on January 10th of the next two episodes of the saga, Return to Cranford. Yes, Miss Matty, Miss Pole, Mrs. Forrester and Miss Tomkinson, the amazons of the early Victorian small-town Cranford, return in a new production that is sure to charm and delight us. Produced by the estimable team of Sue Birtwistle and Susie Conklin who brought us Pride and Prejudice (1995), Emma (1996) and Wives and Daughters (1999), it may be the last bonnet drama produced by BBC/PBS for some time, so cherish every moment.

Visit the official Cranford site at Masterpiece Classic
Read Vic’s preview of Cranford at Jane Austen Today
Cranford is a Delightful Place to Visit at Jane Austen’s World
Some Say that Gaskell is Austen embellished with Dickens at Austenprose

Enjoy, Laurel Ann, Austenprose

Sunday, May 18

Cranford Episode Three: Mrs. Elton Sez...

Gentle readers … Cranford concludes … And the contest is extended …

Be sure to catch the conclusion of Cranford tonight, May 18th at 9:00 pm on Masterpiece Classic. Episode three has many surprises and twists, and I will not reveal any spoilers, but … suffice it to say … Mrs. Gaskell really is a fine storyteller, the actors are superb and the bonnets are atrocious. La! You can read episode three synopsis here.

We have been privileged these past three Sundays, by special commentary by the one and only Mrs. Augusta Elton; - that officious and opinionated lady of Highbury, whose views we have come to find enlightening, amusing and ocassionally a bit twisted. We are very grateful to author Diana Birchall for channeling Mrs. Elton for our enjoyment. You can read Mrs. Elton's previous comments on episode one and episode two to catch up.
And now, Mrs. Elton’s closing remarks …

I always said such doings would never prosper, and now you see the truth of it. Mrs. Gaskell is no great writer, to be sure, compared to our dear Miss Jane Austen, but even she does not deserve such treatment. To take three stories, and mix them up all together, in just anyhow fashion - those are strange doings indeed. Ranks and spheres should never be confounded; and the consequence, as I of course had foreseen, is that there are more romances, and more deaths, and more endings, happy and sad, than can be endured; it is quite enough to give one the head-ache.

It is true that in Highbury, there were three marriages at once, when sweet Jane Fairfax married Frank Churchill, and Miss Woodhouse married Knightley, and - well, they are hardly to be named in the same set, but Mr. Robert Martin did marry little Miss Smith at about the same time as the others. And I had only arrived in Highbury, a bride, very few months previously. It is a marrying place, Highbury, very much a marrying place, and poor Mr. E was kept very busy joining hands for some time. None of the other brides, of course, came near having a gown or set-out like mine; indeed Miss Austen finished off her book by quoting me very properly about the sad want of white satin and lace veils. To be sure, Jane Fairfax was nicely attired, Mr. Churchill saw to that, and set some of the late Mrs. Churchill's jewels in an ornament for her hair; but Jane always was elegant. Miss Woodhouse was dressed with such plainness that I am sure I should have been ashamed, though in general I am all for simplicity; and there is no use speaking of Miss Smith, for she was all covered with flowers, which hardly suits such a short woman as that, and a farmer's wife too.
Weddings in Cranford however - I could not keep track of them all. There was Dr. Harrison and Sophy, who hadn't ought to have been in the story in the first place; and Miss Jessie and Captain Gordon, and even Miss Caroline Tomkinson was engaged to her butcher (so shocking!), and Mrs. Rose too, and Mrs. Forrester, and we are allowed to see Peter and Miss Pole looking at each other in such a way - well! It was very disgraceful, I protest, and not at all what was called for. To her credit, Miss Jane Austen never had more than three couples marry, and Mrs. Gaskell must surely have at least six. It really is not at all the thing. I suppose it was their idea of a joke, to turn Cranford from a town of spinsters to a town of weddings; but I cannot approve. I like a joke as well as the next person, I am considered quite amusing and lively in my way; but there can be no question but that it has all Gone Too Far.

On the whole I think I object to the deaths more than the weddings; one does, you know. And this is proof positive, if any more was needed, that Highbury is a healthier place than Cranford; for Miss Deborah, and Mr. Holbrook, and poor Mr. Carter, and little Walter - why, they all die, do they not? Very sad it is too, and a little weeping is all very well, when a death is in prospect, but it is very out of place, I think, when watching a stereopticon display. I was sitting with three other people when this last portion was shown (Mr. E and I were at the Westons, watching on their skreen - much too large a one for their little house), and I can assure you there was not a dry eye except mine. Such displays of sensibility are most improper, and I am very sure Miss Jane Austen would think so, if she were not dead herself.

Well! I made a list of all the things I disliked, and it was very long; and a list of the things I liked, and it was very short. I will start with the good things, because I must dispel the idea that I am a critic; do not run away with that idea, it is not at all becoming to be critical, and is the very last thing that I would do. I am much more an appreciator, I flatter myself, when there is any thing at all to appreciate. And I did think it quite admirable when Miss Matty said that her sister Deborah always wished to write sermons. I think she should have written some, upon my word I do. I have no doubt that, with her judgement and decision, she would have written very good ones.
I am all for women, and will not allow it to be said that they cannot do any thing as well as a man; and indeed a woman certainly can write sermons, because I have very often written Mr. E's - but mum! How nearly I have let out secrets, and I always promised my caro sposo so faithfully that I would never breathe a word. But he does not take to writing very well, somehow; even in the days of courtship, when he would quote poetry, and all that, his sweet lines were really written by other people, and after all a wife's duty is to be a help her husband. Any one who has seen as much of the world as I have, is aware of that. So I know poor Miss Deborah could have done as much as me, with her great mind, and her fondness for Dr. Johnson.

Miss Matty always was fond of little children, and that is just the kind of sentimental old maid I would have taken her for. My friends wept copiously when she said that, and then when Martha - but it will not do to speak of such coarse events, whatever is said in Cranford, vulgar place that it is. You do not hear of people talking right in the public street about such things in elegant society; it was never heard of when I was at Bristol, or in Bath. But in Cranford, there is almost as much talk of the maid Martha's expectations, as there was in Highbury about Mrs. Weston's, and I really think all that kind of thing is unnecessary, particularly when a servant is in the case. And then, Miss Matty, a vicar's daughter and a gentlewoman, whatever else you might say about her, that she should stoop to becoming a tradeswoman, and selling tea in her grubby front room - well! I hardly knew where to look. As for the scene where all her friends took up a sort of charity collection for her, I never saw any thing more disgusting. Oh! yes, Cranford is a common, vulgar sort of place, and you can weep all you like, it cannot change the fact.

There were so many moments when I could hardly bear to look at the skreen at all. The indelicacy of Dr. Harrison doctoring young Miss Sophy - actually putting his head upon her bosom! Such things were never heard of in Highbury, where there never has been a single case of typhoid. Miss Jane Austen would not allow such a thing to happen to a heroine, though Miss Marianne Dashwood did have the disease; however, that was not in Highbury, which is an exceptionally healthy place, and the young lady did deserve a hard lesson for her foolish behavior, behaving as she did with Mr. Willoughby. The spectacle of all the ladies running after Dr. Harrison does have its precedents in Miss Jane Austen's works, where I cannot help but admit that ladies often do try to lure gentlemen into matrimony.

Thank God! I was never guilty of such a thing myself, but then my caro sposo was all ardour and urgency to press forward our nuptials. Still, there are many other examples - you only have to look at the behavior of that Harriet Smith, in love with three men in one year, and one of them my very own lord and master. Dr. Harrison could not help himself, and I do not blame him. The arts the ladies employed in Cranford were despicable indeed. Mrs. Rose actually dyeing her hair, like a low woman, is simply too much to be borne. Well, I wash my hands of the whole business. I would not live in Cranford for a thousand pounds. Even a woman of my resources would find it intolerable. Visiting such second-rate people for ever! The only lady of any quality was Lady Ludlow and she belonged in Cranford no more than Lady Catherine de Bourgh belongs in Jane Eyre. It was very ridiculous.
I thought I would try to forget about Lady Ludlow, and Dr. Harrison, and read Mrs. Gaskell's story again, so as to try to remember it as it was before it was spoilt; but I opened it up and what should I see but Miss Matty crying the dry tears of old age. And her only fifty-eight years old! That is not so old as for the ducts of ones eyes to wither; though perhaps it happened because she had cried so much all through the book. Then her brother Peter brings her back from India a muslin gown, and a pearl necklace, and she cannot wear them because they are incongruous with age! That proves what I have always said, that Miss Matty had no taste, and no gratitude either. I have no patience with her. Miss Mary Smith says that every body is better for being near Miss Matty; but I cannot agree, any more than it is improving to be near Mr. Woodhouse or Miss Bates.
I have no sympathy for Miss Matty. I think she should have managed her situation better. Simpering over babies, and pretending not to notice that all her friends - many of them not rich either - were putting out money for her. In my opinion, the suggestion that she teach was a good one; even if she didn't know any thing, and had no education herself, she might have had a dame-school, or been a nursery governess. It is true that she was timid, and that is to her credit; but even so I cannot see why every one loves her, and cries over her, when she was really quite an inferior person. I am quite out of patience with such doings and such people; they are all exceedingly tiresome. Really I do think Cranford is the most troublesome parish that ever was.

Very Sincerely Yours,

Augusta Elton

DISCLAIMER: ...the blogmistresses would like to remind our gentle readers that "the opinions of Mrs. Elton are not necessarily those of Diana Birchall", who is but conduit of Mrs. Elton’s thoughts and can not always make them stop!
Well, now that Cranford has concluded, we are most obliged to Mrs. Elton for visiting with us and sharing her candid, - ahem - thoughts on the three episodes. We certainly are in no doubt of her opinions on the matters in Cranford, or about it’s author Mrs. Gaskell, and wish her a swift journey as she sallies back to Highbury to pontificate on the short comings of the fine citizens in that community.

CONTEST: We are happy to announce that we have extended the deadline of the contest for a free copy of Diana Birchall’s book, Mrs. Darcy’s Dilemma until Wednesday, May 21st. All authors of comments made between May 4th and May 21st on each of the three Mrs. Elton Sez posts will be eligible for the drawing which will be announced on Thursday May 22nd. Good luck to all.

Posted by Laurel Ann, Austenprose & Ms. Place, Jane Austen's World

Wednesday, May 14

CRANFORD: Male Cast Highlights Episode Two

Cranford continues ...

Episode two of the PBS presentation of Cranford aired last Sunday and I am happy to say that the story is building, and does not disappoint. Romance is in the air, and also some mischief! The charming spinsters and ladies of Cranford continue to dominate the story, but the men of Cranford hold their own. Here are some of my favorite male performances of episode two.

Mr. Edmund Carter (Philip Glenister) is Lady Ludlow’s progressive land agent of Hanbury Court who upsets the anachronistic order of her ladyship’s household by mentoring young Harry Gregson (Alex Etel) as his clerk. The opposition of their views on social order puts Lady Ludlow (Francesca Annis) and Mr. Carter at odds with each other over his choice to educate Harry and elevate his position from pauper and poacher to educated clerk. Philip Glenister shines as Mr. Carter, whose strict and gruff exterior earns the respect of young Harry, and our hearts.

Elizabeth Gaskell created a plum character for Mr. Glenister to portray who is caught between the transitions in England from an agricultural to industrial nation. I was touched by the bit in the story about Mr. Carter’s reaction to his financial windfall from his investment in a cloth mill which has made him a handsome fortune until he realizes the human cost in labor and misery that was expended to earn his profit and sells out. He is a man of principle.

UK viewers will recognize Philip Glenister from his role as Detective Chief Inspector Gene Hunt on BBC One’s Sci-Fi police drama Life on Mars which has been picked up by ABC for the upcoming fall season. I have not seen the series, but its spin-off Ashes to Ashes received raves from AustenBlog editrix Mags, who follows the Brit television scene closely and is quite a discriminating viewer! The one film that I have seen Philip in was Calendar Girls with Helen Mirren, Linda Basset (Mrs. Jennings in Sense and Sensibility 2008), and Cirian Hinds (Captain Wenworth in Persuasion 1995). You can read more about Philip at his web site.

Mr. Thomas Holbrook, (Michael Gambon), resurfaces as a previous suitor of Matty Jenkyns (Judi Dench), and the possibility of a renewed romance is intriguing. Elizabeth Gaskell really knows how to tug at our heartstrings when after the sudden death of Matty’s sister Deborah (Eileen Atkins), she introduces the charming and prosperous yeoman farmer back into Matty’s life. Perfect timing since the family opposition that had squelched the budding romance 30 years ago has all passed away. Michael Gambon is the perfect distinguished elder gentleman to court our genteel heroine Miss Matty, and he charms her with primroses and promising letters before he departs on a trip to Paris. When tragedy visits Cranford yet again, and Mr. Holbrook succumbs to pneumonia after his return, I did not expect so much misery to visit such a delightful village as Cranford. It was a low point for the community and for me.

Sir Michael Gambon has had a long and distinguished acting career. Recently he was seen as Albus Dumbledore in Harry Potter and the Order of the Phoenix (2008), Gosford Park (2001) with Jeremy Northam (Mr. Knightley in Emma 1996), Sophie Thompson (Miss Bates, Emma 1996) & (Mary Musgrove in Persuasion 1995), and Wives and Daughters (1999) with Barbara Leigh-Hunt (Lady Catherine de Bourgh in Pride and Prejudice 1995), Rosumund Pike (Jane Bennet in Pride and Prejudice 2005), and Lucy Briers (Charlotte Lucas in Pride and Prejudice 1995). His next project will be Brideshead Revisted with Emma Thompson (Elinor Dashwood in Sense and Sensibility 1995) and Hayley Atwell (Mary Crawford in Mansfield Park 2007) due out July 2008. You can read more about Michael Gambon here.

Dr. Jack Marshland (Joseph McFadden) arrives in Cranford for a holiday visit by invitation of his colleague Dr. Frank Harrison (Simon Woods), and observes romance in the air for his friend with the young Sophy Hutton (Kimberley Nixon). The spinster ladies of Cranford are charmed to have a new single man included in their festivities, but Dr. Marshland prefers pranks for his entertainment, and his actions set in motion the future humiliation and torment of the community and his friend. Joseph McFadden has one of those lively faces with a captivating smile that just lights up a room. You want to trust him immediately, and that is the deception, because though he is well meaning, his sense of humor can embarrass and ridicule without malice.
Joseph McFadden’s popular television career has been steadily peppered with UK drama and comedy including the staring role in The Crow Road (1996) and Heartbeat (2008). He is an accomplished singer with a fine tenor voice which we had the pleasure of enjoying during the Christmas Eve party celebration in episode two of Cranford. Mr. McFadden wears Victorian garb and Dickensonian charm smartly and would make a fine Herbert Pocket in Great Expectations, which is due for a re-make if any producers are paying attention! (As if!) You can read more about Joseph McFadden here.

Don’t miss the conclusion of Cranford on Sunday, May 18th, at 9:00 pm when episode three airs on Masterpiece Classic. Don’t fret gentle readers. Like Dickens, Gaskell gives us a nice moralistic ending with a nice surprise! You can read the synopsis here (spoilers).

Posted by Laurel Ann, Austenprose

Monday, May 5

CRANFORD: Male cast highlights episode one

Episode one aired of the Masterpiece Classic presentation of Cranford last Sunday, and even though the main characters are all women, the supporting male cast is quite commendable. My favorite male performers were Simon Wood (Dr. Harrison) and Alistair Petrie (Major Gordon). I guess that you can assume that I am easily swayed by smart men who save lives and fight for England. Like Lydia Bennet, I am always partial to a handsome man in uniform!

Both of these fine British actors have Jane Austen connections in their background having played supporting roles in Austen adaptations in the past; Simon Woods as Charles Bingley in Pride and Prejudice (2005), and Alistair Petrie as Robert Martin in Emma (1996).

I did not make the connections immediately, but soon my memory dawned and I remember Simon because of his smile, which I should never have been forgotten because we all know that Charles Bingley smiled great deal at Jane Bennet. I think that I was thrown by his hair! It looked so normal and flattering, as opposed to the 'There's Something About Mary' hairdo that he was given in Pride and Prejudice.

Alistair Petrie was a slower connection. I did not remember him immediately as Robert Martin from Emma, mostly because he had a smaller role, and it has been 13 years since the Kate Beckinsale version of Emma aired and he is now a mature man. Maybe I was just watching the brass buttons on that tall uniform, or was lulled by his beautiful Scottish accent. La!

Honorable mention goes to the young Alex Etel, the bright but impoverished Harry Gregson who tugged at my sympathies but was not maudlin. For one so young, he is either naturally talented or exceptionally directed to play his scenes so smoothly and unaffected.

I understand that this is his third acting engagement, and next after playing Angus MacMorrow in the big screen fable, The Water Horse: Legend of the Deep in 2007. What a fine David Copperfield or Oliver Twist we would have made. It is unfortunate that both novels have been filmed by the BBC recently in 1999 and 2005 respectively. Boys grow so fast a this age, that I fear that he has already lost that window.

I hope that you all enjoyed the first episode of Cranford and will continue on with the next installment next Sunday, May 11th at 9:00 pm on PBS. You can read the synopsis of episode two here. I highly recommend it, and as we all know, the second act of any play, movie or opera is always the best. (Case in point, Star Wars: The Empire Strikes Back, but that is another genre, and I must not digress!)

Posted by Laurel Ann, Austenprose