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Showing posts with label Simon Woods. Show all posts
Showing posts with label Simon Woods. Show all posts

Sunday, September 6

Jane Austen Movie Throwdown

Mr. Bingley. Perpetual sidekick. Always in a good mood, kind, rich, and good looking. So why are we not as enamored of Mr. Bingley as of Mr. Darcy? Do we really prefer the dark and brooding Mr. Darcy over gentle and attentive Mr. Bingley? This week we ask you to decide which actor played Mr. Bingley best. Who, in your mind, was Mr. Darcy's best foil in a movie adaptation of Pride and Prejudice? We direct you to only the three latest cinematic Mr. Bingleys, as he is hard enough to remember as it is.

Your Favorite Mr. Bingley


Crispin Bonham-Carter, Pride and Prejudice 1995

A director and distant cousin of Helena Bonham-Carter, Crispin played a polite Mr. Bingley who was always patient with Mrs. Bennet while not taking his eyes off Jane. The BBC said of Crispin's Bingley: "Mr Bingley is that wonderful combination of both nice, handsome and rich." Nice, yes. But also a bit boring. Would you agree? Crispin's acting career has been steady and consistent since his turn as Mr. Darcy's side kick.







Simon Woods, Pride and Prejudice, 2005

Simon's Mr. Bingley was an eager adoring puppy to Matthew Macfadyen's Mr. Darcy. Simon's next big role was as young Dr. Harrison in Cranford, showing that he does have leading man material. About his role as Bingley, Simon said: "Basically, his aim is to get married and, once married, to buy an estate and become a proper landed gentleman." Ho hum. One also assumes that Bingley must beget children. Let's hope his politeness ends at the bedroom door.




Tom Mison, Lost in Austen

Tom Mison's Mr. Bingley presents a twist in the Mr. Bingley oeuvre. His Bingley becomes a blubbering, crying fool for losing Jane to Mr. Collins and he actually turns on Mr. Darcy and blames him for his misstep! Tom turns in a comic performance that fits right in with the zany script, for in the end he does get his Jane. She must divorce Mr. Collins in order to be with her man, and thus the two set off for the COLONIES to avoid scandal. Such fun.


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Favorite Mr. Bingley
Crispin Bonham-Carter Simon Woods Tom Mison

Sunday, May 18

Cranford Episode Three: Mrs. Elton Sez...

Gentle readers … Cranford concludes … And the contest is extended …

Be sure to catch the conclusion of Cranford tonight, May 18th at 9:00 pm on Masterpiece Classic. Episode three has many surprises and twists, and I will not reveal any spoilers, but … suffice it to say … Mrs. Gaskell really is a fine storyteller, the actors are superb and the bonnets are atrocious. La! You can read episode three synopsis here.

We have been privileged these past three Sundays, by special commentary by the one and only Mrs. Augusta Elton; - that officious and opinionated lady of Highbury, whose views we have come to find enlightening, amusing and ocassionally a bit twisted. We are very grateful to author Diana Birchall for channeling Mrs. Elton for our enjoyment. You can read Mrs. Elton's previous comments on episode one and episode two to catch up.
And now, Mrs. Elton’s closing remarks …

I always said such doings would never prosper, and now you see the truth of it. Mrs. Gaskell is no great writer, to be sure, compared to our dear Miss Jane Austen, but even she does not deserve such treatment. To take three stories, and mix them up all together, in just anyhow fashion - those are strange doings indeed. Ranks and spheres should never be confounded; and the consequence, as I of course had foreseen, is that there are more romances, and more deaths, and more endings, happy and sad, than can be endured; it is quite enough to give one the head-ache.

It is true that in Highbury, there were three marriages at once, when sweet Jane Fairfax married Frank Churchill, and Miss Woodhouse married Knightley, and - well, they are hardly to be named in the same set, but Mr. Robert Martin did marry little Miss Smith at about the same time as the others. And I had only arrived in Highbury, a bride, very few months previously. It is a marrying place, Highbury, very much a marrying place, and poor Mr. E was kept very busy joining hands for some time. None of the other brides, of course, came near having a gown or set-out like mine; indeed Miss Austen finished off her book by quoting me very properly about the sad want of white satin and lace veils. To be sure, Jane Fairfax was nicely attired, Mr. Churchill saw to that, and set some of the late Mrs. Churchill's jewels in an ornament for her hair; but Jane always was elegant. Miss Woodhouse was dressed with such plainness that I am sure I should have been ashamed, though in general I am all for simplicity; and there is no use speaking of Miss Smith, for she was all covered with flowers, which hardly suits such a short woman as that, and a farmer's wife too.
Weddings in Cranford however - I could not keep track of them all. There was Dr. Harrison and Sophy, who hadn't ought to have been in the story in the first place; and Miss Jessie and Captain Gordon, and even Miss Caroline Tomkinson was engaged to her butcher (so shocking!), and Mrs. Rose too, and Mrs. Forrester, and we are allowed to see Peter and Miss Pole looking at each other in such a way - well! It was very disgraceful, I protest, and not at all what was called for. To her credit, Miss Jane Austen never had more than three couples marry, and Mrs. Gaskell must surely have at least six. It really is not at all the thing. I suppose it was their idea of a joke, to turn Cranford from a town of spinsters to a town of weddings; but I cannot approve. I like a joke as well as the next person, I am considered quite amusing and lively in my way; but there can be no question but that it has all Gone Too Far.

On the whole I think I object to the deaths more than the weddings; one does, you know. And this is proof positive, if any more was needed, that Highbury is a healthier place than Cranford; for Miss Deborah, and Mr. Holbrook, and poor Mr. Carter, and little Walter - why, they all die, do they not? Very sad it is too, and a little weeping is all very well, when a death is in prospect, but it is very out of place, I think, when watching a stereopticon display. I was sitting with three other people when this last portion was shown (Mr. E and I were at the Westons, watching on their skreen - much too large a one for their little house), and I can assure you there was not a dry eye except mine. Such displays of sensibility are most improper, and I am very sure Miss Jane Austen would think so, if she were not dead herself.

Well! I made a list of all the things I disliked, and it was very long; and a list of the things I liked, and it was very short. I will start with the good things, because I must dispel the idea that I am a critic; do not run away with that idea, it is not at all becoming to be critical, and is the very last thing that I would do. I am much more an appreciator, I flatter myself, when there is any thing at all to appreciate. And I did think it quite admirable when Miss Matty said that her sister Deborah always wished to write sermons. I think she should have written some, upon my word I do. I have no doubt that, with her judgement and decision, she would have written very good ones.
I am all for women, and will not allow it to be said that they cannot do any thing as well as a man; and indeed a woman certainly can write sermons, because I have very often written Mr. E's - but mum! How nearly I have let out secrets, and I always promised my caro sposo so faithfully that I would never breathe a word. But he does not take to writing very well, somehow; even in the days of courtship, when he would quote poetry, and all that, his sweet lines were really written by other people, and after all a wife's duty is to be a help her husband. Any one who has seen as much of the world as I have, is aware of that. So I know poor Miss Deborah could have done as much as me, with her great mind, and her fondness for Dr. Johnson.

Miss Matty always was fond of little children, and that is just the kind of sentimental old maid I would have taken her for. My friends wept copiously when she said that, and then when Martha - but it will not do to speak of such coarse events, whatever is said in Cranford, vulgar place that it is. You do not hear of people talking right in the public street about such things in elegant society; it was never heard of when I was at Bristol, or in Bath. But in Cranford, there is almost as much talk of the maid Martha's expectations, as there was in Highbury about Mrs. Weston's, and I really think all that kind of thing is unnecessary, particularly when a servant is in the case. And then, Miss Matty, a vicar's daughter and a gentlewoman, whatever else you might say about her, that she should stoop to becoming a tradeswoman, and selling tea in her grubby front room - well! I hardly knew where to look. As for the scene where all her friends took up a sort of charity collection for her, I never saw any thing more disgusting. Oh! yes, Cranford is a common, vulgar sort of place, and you can weep all you like, it cannot change the fact.

There were so many moments when I could hardly bear to look at the skreen at all. The indelicacy of Dr. Harrison doctoring young Miss Sophy - actually putting his head upon her bosom! Such things were never heard of in Highbury, where there never has been a single case of typhoid. Miss Jane Austen would not allow such a thing to happen to a heroine, though Miss Marianne Dashwood did have the disease; however, that was not in Highbury, which is an exceptionally healthy place, and the young lady did deserve a hard lesson for her foolish behavior, behaving as she did with Mr. Willoughby. The spectacle of all the ladies running after Dr. Harrison does have its precedents in Miss Jane Austen's works, where I cannot help but admit that ladies often do try to lure gentlemen into matrimony.

Thank God! I was never guilty of such a thing myself, but then my caro sposo was all ardour and urgency to press forward our nuptials. Still, there are many other examples - you only have to look at the behavior of that Harriet Smith, in love with three men in one year, and one of them my very own lord and master. Dr. Harrison could not help himself, and I do not blame him. The arts the ladies employed in Cranford were despicable indeed. Mrs. Rose actually dyeing her hair, like a low woman, is simply too much to be borne. Well, I wash my hands of the whole business. I would not live in Cranford for a thousand pounds. Even a woman of my resources would find it intolerable. Visiting such second-rate people for ever! The only lady of any quality was Lady Ludlow and she belonged in Cranford no more than Lady Catherine de Bourgh belongs in Jane Eyre. It was very ridiculous.
I thought I would try to forget about Lady Ludlow, and Dr. Harrison, and read Mrs. Gaskell's story again, so as to try to remember it as it was before it was spoilt; but I opened it up and what should I see but Miss Matty crying the dry tears of old age. And her only fifty-eight years old! That is not so old as for the ducts of ones eyes to wither; though perhaps it happened because she had cried so much all through the book. Then her brother Peter brings her back from India a muslin gown, and a pearl necklace, and she cannot wear them because they are incongruous with age! That proves what I have always said, that Miss Matty had no taste, and no gratitude either. I have no patience with her. Miss Mary Smith says that every body is better for being near Miss Matty; but I cannot agree, any more than it is improving to be near Mr. Woodhouse or Miss Bates.
I have no sympathy for Miss Matty. I think she should have managed her situation better. Simpering over babies, and pretending not to notice that all her friends - many of them not rich either - were putting out money for her. In my opinion, the suggestion that she teach was a good one; even if she didn't know any thing, and had no education herself, she might have had a dame-school, or been a nursery governess. It is true that she was timid, and that is to her credit; but even so I cannot see why every one loves her, and cries over her, when she was really quite an inferior person. I am quite out of patience with such doings and such people; they are all exceedingly tiresome. Really I do think Cranford is the most troublesome parish that ever was.

Very Sincerely Yours,

Augusta Elton

DISCLAIMER: ...the blogmistresses would like to remind our gentle readers that "the opinions of Mrs. Elton are not necessarily those of Diana Birchall", who is but conduit of Mrs. Elton’s thoughts and can not always make them stop!
Well, now that Cranford has concluded, we are most obliged to Mrs. Elton for visiting with us and sharing her candid, - ahem - thoughts on the three episodes. We certainly are in no doubt of her opinions on the matters in Cranford, or about it’s author Mrs. Gaskell, and wish her a swift journey as she sallies back to Highbury to pontificate on the short comings of the fine citizens in that community.

CONTEST: We are happy to announce that we have extended the deadline of the contest for a free copy of Diana Birchall’s book, Mrs. Darcy’s Dilemma until Wednesday, May 21st. All authors of comments made between May 4th and May 21st on each of the three Mrs. Elton Sez posts will be eligible for the drawing which will be announced on Thursday May 22nd. Good luck to all.

Posted by Laurel Ann, Austenprose & Ms. Place, Jane Austen's World

Wednesday, May 14

CRANFORD: Male Cast Highlights Episode Two

Cranford continues ...

Episode two of the PBS presentation of Cranford aired last Sunday and I am happy to say that the story is building, and does not disappoint. Romance is in the air, and also some mischief! The charming spinsters and ladies of Cranford continue to dominate the story, but the men of Cranford hold their own. Here are some of my favorite male performances of episode two.

Mr. Edmund Carter (Philip Glenister) is Lady Ludlow’s progressive land agent of Hanbury Court who upsets the anachronistic order of her ladyship’s household by mentoring young Harry Gregson (Alex Etel) as his clerk. The opposition of their views on social order puts Lady Ludlow (Francesca Annis) and Mr. Carter at odds with each other over his choice to educate Harry and elevate his position from pauper and poacher to educated clerk. Philip Glenister shines as Mr. Carter, whose strict and gruff exterior earns the respect of young Harry, and our hearts.

Elizabeth Gaskell created a plum character for Mr. Glenister to portray who is caught between the transitions in England from an agricultural to industrial nation. I was touched by the bit in the story about Mr. Carter’s reaction to his financial windfall from his investment in a cloth mill which has made him a handsome fortune until he realizes the human cost in labor and misery that was expended to earn his profit and sells out. He is a man of principle.

UK viewers will recognize Philip Glenister from his role as Detective Chief Inspector Gene Hunt on BBC One’s Sci-Fi police drama Life on Mars which has been picked up by ABC for the upcoming fall season. I have not seen the series, but its spin-off Ashes to Ashes received raves from AustenBlog editrix Mags, who follows the Brit television scene closely and is quite a discriminating viewer! The one film that I have seen Philip in was Calendar Girls with Helen Mirren, Linda Basset (Mrs. Jennings in Sense and Sensibility 2008), and Cirian Hinds (Captain Wenworth in Persuasion 1995). You can read more about Philip at his web site.

Mr. Thomas Holbrook, (Michael Gambon), resurfaces as a previous suitor of Matty Jenkyns (Judi Dench), and the possibility of a renewed romance is intriguing. Elizabeth Gaskell really knows how to tug at our heartstrings when after the sudden death of Matty’s sister Deborah (Eileen Atkins), she introduces the charming and prosperous yeoman farmer back into Matty’s life. Perfect timing since the family opposition that had squelched the budding romance 30 years ago has all passed away. Michael Gambon is the perfect distinguished elder gentleman to court our genteel heroine Miss Matty, and he charms her with primroses and promising letters before he departs on a trip to Paris. When tragedy visits Cranford yet again, and Mr. Holbrook succumbs to pneumonia after his return, I did not expect so much misery to visit such a delightful village as Cranford. It was a low point for the community and for me.

Sir Michael Gambon has had a long and distinguished acting career. Recently he was seen as Albus Dumbledore in Harry Potter and the Order of the Phoenix (2008), Gosford Park (2001) with Jeremy Northam (Mr. Knightley in Emma 1996), Sophie Thompson (Miss Bates, Emma 1996) & (Mary Musgrove in Persuasion 1995), and Wives and Daughters (1999) with Barbara Leigh-Hunt (Lady Catherine de Bourgh in Pride and Prejudice 1995), Rosumund Pike (Jane Bennet in Pride and Prejudice 2005), and Lucy Briers (Charlotte Lucas in Pride and Prejudice 1995). His next project will be Brideshead Revisted with Emma Thompson (Elinor Dashwood in Sense and Sensibility 1995) and Hayley Atwell (Mary Crawford in Mansfield Park 2007) due out July 2008. You can read more about Michael Gambon here.

Dr. Jack Marshland (Joseph McFadden) arrives in Cranford for a holiday visit by invitation of his colleague Dr. Frank Harrison (Simon Woods), and observes romance in the air for his friend with the young Sophy Hutton (Kimberley Nixon). The spinster ladies of Cranford are charmed to have a new single man included in their festivities, but Dr. Marshland prefers pranks for his entertainment, and his actions set in motion the future humiliation and torment of the community and his friend. Joseph McFadden has one of those lively faces with a captivating smile that just lights up a room. You want to trust him immediately, and that is the deception, because though he is well meaning, his sense of humor can embarrass and ridicule without malice.
Joseph McFadden’s popular television career has been steadily peppered with UK drama and comedy including the staring role in The Crow Road (1996) and Heartbeat (2008). He is an accomplished singer with a fine tenor voice which we had the pleasure of enjoying during the Christmas Eve party celebration in episode two of Cranford. Mr. McFadden wears Victorian garb and Dickensonian charm smartly and would make a fine Herbert Pocket in Great Expectations, which is due for a re-make if any producers are paying attention! (As if!) You can read more about Joseph McFadden here.

Don’t miss the conclusion of Cranford on Sunday, May 18th, at 9:00 pm when episode three airs on Masterpiece Classic. Don’t fret gentle readers. Like Dickens, Gaskell gives us a nice moralistic ending with a nice surprise! You can read the synopsis here (spoilers).

Posted by Laurel Ann, Austenprose

Saturday, May 10

Cranford Episode Two: Mrs. Elton Sez...

Gentle readers … Cranford continues … And so does the contest …

I am totally charmed by the Masterpiece Classic presentation of Cranford which began last Sunday. Episode two continues again tonight May 11th on PBS at 9:00pm, and concludes next Sunday May 18th. Three weeks living the simple life with the company of the ladies and gentlemen of Cranford, ahhh… such a respite indeed. You can review the cast of characters here.

We are honored once again by a review by Mrs. Elton, that pretentious matron of Highbury society who invaded Emma Woodhouse’s world and her patience; brought to us by that obliging Diana Birchall. Even though we always enjoy Mrs. Elton's forthright opinions, which she gives so freely as she continues her views on the mini-series Cranford, they are a bit like watching a train wreck. You should look away, - but are compelled to observe!

You can catch the first installment of her three part Cranford contributions here to catch up if need be, and read her previous review of Emma during The Complete Jane Austen series last March on Austenprose. Check out Diana Birchall’s recently released book, Mrs. Darcy’s Dilemma if you want to read a clever bit of writing to complement Jane Austen’s novel Pride and Prejudice.

Diana Birchall’s introduction …
I’ve just returned from a family visit to New York, which is in many ways the exact opposite of Cranford. Cranford is small, while New York is, well, not. Cranford is only struggling into the industrial age and is appalled at the very idea of trains; New York embraces trains, planes, and enough machines to make an all-night clangor that Cranford could scarcely conceive. I suppose the whole of Cranford would fit handily into a single apartment building, but think what would be lost – the visiting, the social round, the sharing of troubles, the excitement over little bits of news. In New York people hardly know who their next door neighbors are. Cranfordian news items would fall far below the radar and even the most bizarre phenomena of Cranford would barely cause a stir: if you saw a cow in pajamas on Forty-second Street you would think it was only a publicity stunt and would simply walk around it. Wouldn’t you?

I walked in Central Park which was in full flower with magnolias, cherry blossoms, bluebells and tulips. Would the Cranford ladies have approved of that? No, I think they would be stunned by the colorful crowds, the cross town buses, the skyscrapers, visible even in the park; and only in the heart of the Ramble might they imagine themselves, for a moment, at home. If you’d like to read about my trip and see my pictures, they’re on my blog: lightbrightand sparkling.

But lo! What light from yonder window breaks? It is a movie camera, and Mrs. Elton is the star. My head begins to pain me...she is waving and gesticulating wildly, demanding to be heard...

And now, a few insights from Mrs. Elton …

Well, really, if I must say something, I should be allowed to tell you that I have seen more of Cranford, and I cannot approve of it at all. It grows vulgarer and vulgarer, and where it shall end, Heaven only knows. Only compare the place to Highbury, the charming village to which I was transplanted, so many years ago, and you will understand. First, it is an indisputed fact that Cranford is in the north, quite far north, indeed so close to Manchester as to be hardly genteel. Highbury, and Highbury alone, is in the most elegant situation that could possibly be. That is – Maple Grove to be sure is in a better one, but Highbury is still much more the thing than Cranford.

And only think: nearly every one who lives in Cranford is a single woman! Now, that is very sad; I am sure I should have been ashamed of being always a spinster, but if such a calamity had befallen Jane or me - dear Jane Fairfax, now Mrs. Churchill of Enscombe, which to be sure is in Yorkshire, but that is a very different part of the north, and not to be confused with the want of gentility of such a place as Manchester. Jane tells me that Yorkshire is very genteel indeed, she quite raves about the place, where no vulgarity is allowed. But what was I saying? Oh yes, only that if my dear caro sposo had not made me an offer, and I had remained unwed, (though to be sure I was in no wise wanting for offers), I should never have conducted myself as those ladies of Cranford do. Running through the streets, shouting about matters that had better be kept quiet, old ladies in ruffles, like mutton dressed as lamb; and then, in private, practicing such vulgar economy! Really, it is too bad to have a whole town full of old ladies, and then to show them as being so silly. It does them an injury. I was going to say that the very superior Jane Austen would never create or countenance such a thing, but I have just remembered that she did create Miss Bates, which seems very surprising of her. For what is Cranford but a town absolutely full of Miss Bateses? Now, that is my idea of a very sad place.

And Cranford is sad, do you not agree? Do not we all? The pitiful makeshifts of the people to live – only one burned-down candle in some of those rickety houses, if you will believe me, and the clothes – well! They say it is 1842, but I am sure I was wearing such bonnets and pelisses in Highbury as long ago as 1815. Very pitiful doings, upon my word.

But now I see that I am to be taken up, and given a new hat: Mrs. Birchall has explained to me that I am to become a movie critic. I am not quite certain exactly what she means by it, but I should hope that with my resources, I ought to be able to give my opinion decidedly, which is all that I think is meant. Yes, I see how it is, I shall never have a disengaged moment! It is quite tiresome to be so popular, when my natural inclination is all for quiet. As there is positively no escape, however, I will proceed to tell you what I think of this odd – very odd – stereopticon showing of Cranford, without feigning an approval which I do not feel.

Well! For one thing, I do believe there are too many people in Cranford. Miss Jane Austen always said that three or four families in a country village was the very number to be working with, and I assure you Cranford has a great many more than that. Indeed, there are whole families coming in from other books, and really this does not do. Why, there are screaming poaching boys running all over Cranford, and my Lady Ludlow is set down in a vastly grand mansion – bigger even than Maple Grove, which is the perfect size for taste (I never could bear with ostentation) - right within the village of Cranford itself, which is perfectly monstrous. And then my lady, wandering about in costume of the late 1780s at latest, has she been conjured up by one of those time travel machines invented by Mr. Jules Verne, early in the new century? It is odd, very odd indeed.

But many other things meet with my dislike. You must know they do. I cannot approve of so many people dying continually; I am sure Highbury is a far healthier spot than Cranford, for Cranford is a veritable charnel-house. Our Miss Bates lived to a very old age, you know, and Mr. Woodhouse did the same; and every one was so well in Highbury that good Dr. Perry had very little to do. But Cranford, now! Mercy! I should be quite afraid to go there, such a dying place as it is. Poor Cousin Deborah, falling down dead like that; and then not even being accorded the proper respect. Far more time was devoted to the death of that wretched child - what was his name?

It is all Victorian Sentimentality, I call it, which is a very nasty business indeed. And whatever you may say of these moderns, they do not deal with Victorian Sentimentality at all well. They are so coarsened in the twenty-first century, that they have no idea of the tender emotions, and act them very awkwardly. I am sure Miss Jane Austen would not have liked it. She had a very good taste. She wrote whole books about the odiousness of Sentimentality - of course, she called it Sensibility, which is a far better word. But she would never have permitted her characters to indulge in such fits of lugubrious weeping as they do in Cranford; I declare I hardly knew where to look. I have heard people say that it is all very touching, and moving, and all that, but I should be ashamed. You never see me crying in public, or indeed in any other place.

Perhaps it is this over-sensibility that produces the decided longeurs that are invading the endless vignettes of this second episode of the stereopticon. It does not seem like Cranford to me. If you are acquainted with the people of Cranford, if you have read Mrs. Gaskell's excellent tale, you will know that there ought not to be a boy learning to read, or a young doctor, in it at all; and you would be sadly bewildered. And if you did not know Cranford, then I should think you would find it difficult to tell who everyone is. And the acting - to be sure, I like a play as well as any one; and there is some here that is very fine, as fine as any thing we saw on the London stage, when Mrs. Siddons was en fleur. Miss Judi Dench and Miss Eileen Atkins, are incomparable. But - how can I explain my meaning, in words you will understand? Let me consult Mrs. Birchall, my cicerone in this odd world - well, she assures me that the word I want is uneven. For I do think that the little blonde girl weeping over her brother and making cow's eyes at the doctor, is as odious an Actress as I ever saw in my life; and that clever boy with the trembling lip is not much better. I have always thought that children should be seen, and not heard, and I am sure Miss Jane Austen thinks so.

And what do these stereopticon makers have against the Irish, calumniating them as they do? I am sure that the Irish people I know are as elegant as any one. Did not Miss Fairfax's great friend Miss Campbell go to live in Ireland, when she married Mr. Dixon? She cannot say enough good about the country. And I particularly remember, long ago, in that pic-nic on Box Hill, there was an Irish car party, very civil behaved. So I can't understand it.

Well, well, next week we will discover how it all turns out. But I am sure there will be much weeping and sensibility and being satiric at the expense of poor old ladies; and I shall not like it at all.

Very Sincerely Yours,

Augusta Elton

CONTEST: Thank you very much Mrs. Elton, ahem, we would like to remind our gentle readers to enter our contest for a free copy of Mrs. Darcy’s Dilemma by contributing a comment between May 4th and May 18th. A name will be drawn from the comments, and a new copy mailed to the lucky winner. You can also check out Ms. Birchall's book Mrs. Elton in America to follow her exploits in another continent. Good luck to one and all.

Posted by Laurel Ann, Austenprose & Ms. Place, Jane Austen's World


Monday, May 5

CRANFORD: Male cast highlights episode one

Episode one aired of the Masterpiece Classic presentation of Cranford last Sunday, and even though the main characters are all women, the supporting male cast is quite commendable. My favorite male performers were Simon Wood (Dr. Harrison) and Alistair Petrie (Major Gordon). I guess that you can assume that I am easily swayed by smart men who save lives and fight for England. Like Lydia Bennet, I am always partial to a handsome man in uniform!

Both of these fine British actors have Jane Austen connections in their background having played supporting roles in Austen adaptations in the past; Simon Woods as Charles Bingley in Pride and Prejudice (2005), and Alistair Petrie as Robert Martin in Emma (1996).

I did not make the connections immediately, but soon my memory dawned and I remember Simon because of his smile, which I should never have been forgotten because we all know that Charles Bingley smiled great deal at Jane Bennet. I think that I was thrown by his hair! It looked so normal and flattering, as opposed to the 'There's Something About Mary' hairdo that he was given in Pride and Prejudice.

Alistair Petrie was a slower connection. I did not remember him immediately as Robert Martin from Emma, mostly because he had a smaller role, and it has been 13 years since the Kate Beckinsale version of Emma aired and he is now a mature man. Maybe I was just watching the brass buttons on that tall uniform, or was lulled by his beautiful Scottish accent. La!

Honorable mention goes to the young Alex Etel, the bright but impoverished Harry Gregson who tugged at my sympathies but was not maudlin. For one so young, he is either naturally talented or exceptionally directed to play his scenes so smoothly and unaffected.

I understand that this is his third acting engagement, and next after playing Angus MacMorrow in the big screen fable, The Water Horse: Legend of the Deep in 2007. What a fine David Copperfield or Oliver Twist we would have made. It is unfortunate that both novels have been filmed by the BBC recently in 1999 and 2005 respectively. Boys grow so fast a this age, that I fear that he has already lost that window.

I hope that you all enjoyed the first episode of Cranford and will continue on with the next installment next Sunday, May 11th at 9:00 pm on PBS. You can read the synopsis of episode two here. I highly recommend it, and as we all know, the second act of any play, movie or opera is always the best. (Case in point, Star Wars: The Empire Strikes Back, but that is another genre, and I must not digress!)

Posted by Laurel Ann, Austenprose

Saturday, May 3

Cranford Episode One: Mrs. Elton Sez...

Gentle Readers… Cranford arrives... and a contest begins!

Cranford, episode one, the PBS mini-series of Elizabeth Gaskell’s novel premiers tonight on PBS at 9:00 pm. It received rave reviews when in aired last fall in the UK, so we are quite excited to meet Misses Matty (Judi Dench) and Deborah (Eileen Atkins) and the other ladies of the charming English
village of Cranford. The delight will be the pleasure of their company for the next three Sundays (May 4th, 11th and 18th), and to have the distinct honor of author Diana Birchall’s contribution as she channels Jane Austen’s infamous gad-about and all around busy-body Mrs. Elton from the novel Emma. Readers will remember Mrs. Elton’s recent visit when she reviewed the PBS airing of the adaptation of Emma last March on Austenprose, and her hilarious book, Mrs. Elton in America

Diana Birchall’s introduction…

Oh, my poor head. It is that infernal Mrs. Elton trying to get out again. It's like having a woodpecker rapping on your skull from the inside. Why can't I be the medium of channeling one of Jane Austen's nicer characters? Lizzy, say, or Anne, or my dear Mr. Tilney. But no. To have this woman's caw sounding in my ears is no pleasure, I can tell you. Still, it might be worse; I might be afflicted with Mr. Collins.

I saw the first hour of the new Cranford at a screening the other evening, and sure enough, I was awakened that very night by that inimitable indignant voice. Mrs. Elton, resident still of Highbury, demands to tell the world what she thinks of Cranford. I had better let her do so, or the woman will drive me mad. Some might say she has done so already. Well, here's Augusta Herself, I wish you joy of her.

Mrs Elton has her say…

Good heaven! It is a fine thing to be back at home in Highbury again. You would not think, that at our age, Mr. E and I would fly about so much as we do, but I assure you it is so. We have been to Cranford, which you must know is in the very vicinity of Manchester, and that is almost as dire-sounding a place as Birmingham.

It is very far to go for an exploring-party, but we cannot always be visiting Selina, and places about Bristol; and so we went to the Peak, on a party of pleasure, which was very delightful. On our journey home however our carriage broke down, and it was fortunate that I realized we were within half a dozen miles of Cranford, where Mr. E has some connections; and I told him to send the man to my Lady Ludlow forthwith, and beg her for some assistance.

That is, we have only seen my Lady Ludlow the once, at her great barracks of a place, when last we were visiting Cranford, some five and twenty years ago, but we have heard of her for ever in letters from Miss Matty and Miss Deborah. They are some sort of cousins to my dear Mr. E, though really we see them very seldom, for they are not quite the style of people we would care to have visit us in Highbury, though very good sort of folk I have no doubt.

It was growing rather late, and rather dark, and so we were glad when the man returned at last with some sort of – conveyance, I suppose it must be called, that I believe the people of Cranford hire about among themselves; I should have been ashamed to have been seen in such a horrid old coach, only for the extreme exigency. As we drove into Cranford, it was still light enough to see; and then I remembered what a squalid little place it always was, and still is. Indeed, I would not have believed it; it has not changed one iota this quarter of a century, and is positively primitive, not to say vulgar. But that is an epithet that belongs more to the people than the buildings.

It was, however, perfectly indispensible, in these circumstances, that we visit poor Miss Matty and Miss Deborah; and there they sat in their sad little house, lit by only two candles, and those not even made out of wax. Only think! When I was first married, in 1815 as was (though I have heard that some people do believe that the events of Emma occurred in 1808; they may talk about "internal evidence" all they like, but I assure you that is quite a wrong notion), we had wax-candles in every room of the vicarage. It was quite a paradise of light! Nowadays, of course, we use the most up-to-date methods, and have gas-lamps throughout; but I do not believe they have a single gas-lamp in Cranford to this day, in the year of our Lord and our good Queen, 1851: Was there ever such a village!

And Miss Matty and Miss Deborah – I never was so shocked in my life. I remembered them to have been, never pretty girls, but Matty was rather sweet, and Deborah rather handsome; and now they are hideous, quite hideous. Thank heaven! I have preserved better than they; but then, married women you know, have comforts, which single women have not, and it was perfectly plain to see that spinsterhood has taken its toll on these sweet sisters.

I did wish my Lady Ludlow would have been to home, as her dwelling would have been so much more suitable for us in every way, for even such a temporary sojourn; it is larger even, I believe, than Maple Grove. However, great people have their whims, and she might not remember us, or as seems likelier, even be dead. Mrs. Gaskell's story My Lady Ludlow was written in 1857, you know, much after Cranford, and it tells about times past, when the lady was already quite an old woman, so I do not know what she is doing in that modern stereopticon story; but I will not cavil now. Well, well, there was nothing to do but to make ourselves content where we were, as I am sure I have always a great talent for doing, even in the very heart of Cranford. Mr. Elton was uncomfortable enough, as it was perfectly plain that the ladies did not at all care to have a man in the house, but however they disliked his sex, he is a relation, and they could hardly turn him out so late at night.

To return to this stereopticon affair. It is a great invention, to be sure, a new kind of photography, I collect, that permits pictures to positively move, in a most uncanny fashion; and the photographers quite rightly have taken all of Miss Jane Austen’s books and done full justice to them before making any attempts upon the works of Mrs. Gaskell, who is much inferior, as I can say without any prejudice at all. It is quite a miracle, to be sure; yet it is also positively amazing how many mistakes have been made in the course of this prodigious entertainment. For one, it said that the events in Cranford transpired in 1840, which every body knows not to be true; and for another, it has a most mysterious propensity for placing people from other – worlds, I was going to say, but perhaps more properly books, all together in a miserable confusion. Just as ranks and circles, lines and spheres, ought not to be confounded, people from one place and class ought not to be mixed. Lady Ludlow is only one example. It is quite wrong. Can you imagine what would happen if people created by Miss Jane Austen, say, were to meet with those who were the invention of Mrs. Gaskell? Heaven above! If would be bad enough if Mr. Darcy were to sit on the same Magistrates court with Mr. Knightley, or if Emma Woodhouse and Fanny Price were to be bosom friends. No, no, such half and half doings can never prosper, I assure you.

You may then ask, what am I, Mrs. Elton, who flourished in Highbury in 1815, doing in Cranford at the middle of the century? That is easy to answer. Although Miss Jane Austen did not survive, I have, and at this time am barely fifty, or at least not much more than sixty, and quite as vigorous and fresh as a woman half my age, I do assure you. Mr. E keeps well too, and now that our children are grown and all in their different places (our oldest, Philip Augustus, has gone to America and is a Congressman, you know, and a very great defender of the Indians), we have recaptured all our early passion for exploring. You must not think us the sort of provincial folk who never stir from their park, like Mrs. Knightley, or indeed, these poor good Jenkyns sisters.

I will have a great deal to say about my visit to Cranford, in ensuing visits, and not all of it complimentary, you may depend upon that; but you only hear truth from me. I never compliment, as every one knows. I have already told you how I was first struck with the appearance of poor Miss Matty and Miss Deborah; so that I was quite ashamed to be seen beside them, as even my second-best traveling gown was made of silk, and I had a very fine pelisse with sable upon it, which I saw them noticing, poor things. They tried to look disapproving, with meaningful looks, but I could not be taken in; what could they have felt but envy? I am sure they do not see such a dress from one year to the next; their own gowns were positively rusty.

And the food that was spread upon the table, my dear! It was so scanty, that I honestly was afraid they were starving themselves to give us tea; I would send them some vegetables from the vicarage garden if only it was not such a very great distance away. There were so many signs of their poverty altogether, I was quite uncomfortable. Not only did they speak incessantly of “elegant economy,” but I can swear I heard the words “Cheshire is cheaper.” Exactly so! as my caro sposo would say. I really think I need say no more of these people’s gentility. There was not even a scrap of ice upon the table; I remember making quite a fuss about ice in the card-parties at Highbury when I was first transplanted there as a bride, but more than thirty years later, these poor people have nothing but the pitifulest old ice house across the village square, shared in common with every body else in the place – more of your leveling notions. It is all of a piece with the gas-lamps.

The ladies of Cranford do have some notions of decorum and gentility, I grant, though they are so very countrified and live such a retired life as to be quite out of the fashionable world. I do believe that the vulgarity shown in that regrettable stereopticon play can be laid almost entirely at the door, not of the ladies or even poor Mrs. Gaskell, but of the photographer himself. I am sure he was not a gentleman, for he insisted upon us watching a medical operation (Mr. E would never allow me to see such a thing). There was also such a vile business made about the cat and the boot; and to think of having Miss Matty say that a cow is quite a daughter to her!

Surely, to speak of the barnyard is the province of farmers, not gentlewomen. I was never in any party where ladies spoke in such a way. Those who say that the Victorian age is a more prudish one than what preceded it are quite mistaken. Miss Jane Austen does not even once mention a cat in a single one of her books; and I am sorry to be forced to the conclusion that Mrs. Gaskell is the vulgarest of the two. And I am a judge. I always had a natural inclination in that way even as a young woman, and now, as I am quite the first lady in society in Highbury (except, perhaps, for Mrs. Knightley, whose adherents are perfectly deluded), I am abundantly qualified for the office of pointing out the deficiencies of Cranford.

Quite another matter from the elegancies of life in either Cranford or Highbury, is this stereopticon play. It will be natural for me to give my strictures and opinions on these proceedings as they are unfolded, as I have now endured a – Skreening, they call it, of the first part of the business. The occasion, I must confess, opened with some éclat. I was invited – for who could think of leaving me out – to a little party that was held in late April in a ballroom, a very large ballroom indeed. This ballroom, or perhaps stadium, quite resembled Astley’s, I thought, though without the horses, and was in a very fine modern building called the Directors Guild, in the Far Western American city of Los Angeles. A Picture-Palace, I am told such places used to be called. The people who came (and very oddly they were dressed, too; the ladies nearly all in breeches, and with their hair so short, so oddly coloured, my dear! How you would have stared).

We were given quite elegant viands, prawns, and potato-pancakes, and Italian meats – most elegant, and the place was lighted up so brilliantly, it must have cost a vast sum in gas-lamps. Well: they showed a part of this Cranford play, up on an immensely large wall hanging, and the audience liked it vastly, they made very little attempt to conceal their rather indecorous laughter, at the Cranford people’s quaint doings, which I thought quite rude. I do not believe I have ever seen so many people all together in my entire life, but most remarkable was what happened at the end. Chairs were placed upon the stage, and who should walk out and sit in them but the very actresses we had seen on the Skreen but moments ago! They seated themselves, and spoke with great condescension and cordiality, for full an hour; and the audience were very cordial to them in return, though to be sure, they acted very well, only too well, so that it made one about what their reputations could be.

I do not know exactly, but I suspect a great deal. Jane Tranter, head of BBC Fiction, spoke, and the Director, Simon Curtis, and the Writers and Creators, Heidi Thomas, Sue Birtwistle and Susie Conklin (such outlandish names!) were also present; but one person was not, and that is Mrs. Gaskell, which is perhaps not to be lamented, as I do not know if she could have borne to hear her name bandied about publicly in this immodest and vulgar fashion. It did very well in this Far Western setting however, which was vulgarity personified. I was much diverted to see how much younger the actresses looked in their strange costumes – the ordinary clothes they had worn in the play were modester, but it must be admitted, made them appear much older. Miss Eileen Atkins in particular, was quite animated and youthfully pretty, though she had been quite dour and pinched as Miss Deborah; and Miss Imelda Staunton was jocular, while Miss Judi Dench seemed very familiar with Miss Atkins, as they spoke of being acting together as sisters for the first time fifty years ago, in 1958, which made me laugh as of course that is a good hundred years in my future.

One thing I was surprised to hear Miss Deborah say, was, that a woman is not the equal of a man, but always his superior. That is a more dangerously revolutionary view than I can readily comprehend, having always shown my conjugal obedience to my dear Mr. E; but I always stand up for women myself, and Cranford is a society of women – Amazons, Mrs. Gaskell calls them. But I am sure she is being ironic. I dote upon irony, but I would not trade my position as a married woman, for any thing.

Oh! What a nuisance. Mrs. Diana Birchall wishes to get some rest. I suppose I shall have to be shut up again in her ridiculous head, but I trust she will allow me to deliver my opinions of farther episodes of this peculiar stereoptican that is portraying Cranford and its residents, in part, as it were, and through a glass darkly.

Yours very sincerely

Augusta Elton

CONTEST: Thank you very much Mrs. Elton. We look forward what you have to say about episode two of Cranford on Sunday next, May 11th. at 9:00 pm on Masterpiece Classic. We would love to read your opinion of Cranford, and if you leave a comment between May 4th and May 18th, your name will be entered in a drawing on May 19th for a free copy of Diana Birchall’s book Mrs. Darcy’s Dilemma. Good luck to one and all!

Posted by Laurel Ann, Austenprose & Ms. Place, Jane Austen’s World