Private Lives with Matthew MacFadyen and Kim Cattrall

Mail Online showcases Kim Cattrall in an article about Private Lives. Directed by National Theatre former boss Richard Eyre, it's the tale of a divorced couple who discover they have adjoining rooms while honeymooning with their new spouses. It's a comedy that crackles with wit and sexual tension - like a rock of ice in a dry martini.

Cattrall, who famously plays Samantha in hit US TV and film franchise Sex And The City, last appeared on the London stage in 2006 when she starred in The Cryptogram at the Donmar Warehouse. She had made her West End debut a year earlier in the Peter Hall-directed Whose Life Is It Anyway? A native of Liverpool who has spent most of her professional acting career on the other side of the Atlantic, Cattrall’s other screen credits include Porky’s, Mannequin, Big Trouble In Little China and the upcoming Roman Polanski thriller The Ghost. - Official London Theatre Guide

Macfadyen’s last London outing came in 2007’s The Pain And The Itch at the Royal Court, having previously played Prince Hal in the National Theatre’s production of Henry IV. A regular screen face, Macfadyen played Mr Darcy in the 2005 film adaptation of Pride And Prejudice, opposite Keira Knightley, who is soon to be seen on the London stage in The Misanthrope. Macfadyen’s other credits include hit spy drama Spooks, Dickens adaptation Little Dorrit and the upcoming Ridley Scott-directed film Robin Hood, in which he plays the Sheriff of Nottingham. - Official London Theatre Guide



Private Lives, Vaudeville Theatre, London, from 24 February.

Sexy Samantha and Mr. Darcy Set for Private Lives

Kim Cattrall, who was born in Widnes, England, will appear opposite Matthew MacFadyen next year in Private Lives, a Noel Coward play. The plot revolves around two divorced people who meet again while honeymooning with their new spouses. The play is scheduled to run from March 3, 2010 in the Vaudeville Theatre in London's West End.

Kim is best known for her role as Samantha Jones in Sex in the City. Matthew MacFadyen, as every Janeite knows, played Mr. Darcy opposite Keira Knightley in 2005's Pride and Prejudice.

Speaking of Keira, rumor has it that she is considering playing the role of Eliza Doolittle in My Fair Lady. Groans can be heard around the earth, but Keira has managed to draw large audiences to her films. Here's an image of Keira and Audrey Hepburn morphed.

Want to have fun? You can morph your own images at Morph Thing.

Posted by Vic, Jane Austen's World

Sex and the City Movie Review: Austentini's Rule Over Cosmo's Any Day Ladies!

In an imaginary scenario, if authors Jane Austen and Candace Bushnell met for cocktails and shared a few laughs, what would they chat about? Would it be courtship rituals, or the importance of status and money in choosing a mate, or the latest designer duds? Would they drink the ultimate chick drink the Cosmopolitan, or advance to an Austentini?


It’s not hard for me to surmise that they might have more than a bit to discuss since Ms. Bushnell the creator of Sex and the City, and Miss Austen of English literary acclaim share the disconcerting distinction of having been tagged chick lit authors! Shudder. What a unruly moniker. None-the-less, I would enjoy being a fly on the wall when Austen interprets for Bushnell the irony of their names being mentioned in the same sentence! Ha!


I have just returned from seeing the Sex and the City Movie. Me, and the five other people in the theater. Weird, but according to today’s news, it knocked Indiana Jones off the top box office slot. I was a peripheral fan of the television series, mostly for its keen social observations and driving narrative by its main character Carrie Bradshaw (Sarah Jessica Parker) who is a singleton celebrity writer in New York City. She and her three girlfriends, Charlotte (Kristin Davis), Miranda (Cynthia Nixon) and Samantha (Kim Cattrall) are on the prowl for the perfect man and along the way, buy lots of expensive shoes, have sex everywhere and then gossip about it. Groundbreaking stuff in 1998 when it premiered and still scintillating when it concluded in 2004.


Some people say that Sex and the City is Jane Austen after way too many Martini’s! Not quite sure I agree. I see similarities in plot and characters, but since Jane Austen has been credited as the great grandmother of chick lit, and Bushnell the modern pided piper of chick lit, the comparisons are inevitable. One can find Austen’s themes and characters in just about any modern romance story today. She is about so much more than romance though, at least for me, that I hesitate to label her talent.


(Spoilers ahead)

Speaking of labels, it is one of the main themes of the movie, and forgiveness, yes forgiveness, one of the difficult virtues that we all face! The opening scene was like a sorority reunion; - everything looks perfect on the outside, but reality will soon surface after a few drinks. Four years has transpired but not much has changed in the lives of the four friends. Carrie and ‘Big’ (Chris Noth) are a couple, but not married; Charlotte and Harry (Evan Handler) are still blissfully married with their young adopted daughter Lily the center of their lives; Miranda, the multi-tasking working mom who adores her son Brady, but is still cranky and curt to her understanding husband Steve (David Eigenberg); and Samantha, ah Samantha, the wild free-loving publicist is in a committed relationship with a younger man, Smith (Jason Lewis) and has moved to the coast (Malibu, CA) to manage his budding acting career.


There is more familiar territory here in that we are flooded with fashion; - the haute couture high brow stuff that the ‘Sex’ ladies live for, but hardly makes it off the runway and into your local department store kind of stuff. This is New York after all, the city where high fashion dreams are made, for the select few that understand them at least, and these four friends still revel in the hype and rush of looking like little girls playing mis-matched dress-up from the closet of a traveling drag show. To reinforce their addiction, we see other young women similarly dressed romping about the New York streets. Hmmm? Fashionista herds?


The plot is predictable and revolves around Carrie and her long relationship with her man ‘Big’ who after ten years proposes marriage, because all of a sudden he thinks he should? No mention of love or a romantic bended knee moment, but Carrie accepts and is soon swept up into the marriage ‘event’ whirlwind created by well meaning friends to celebrate their union. As a subplot, cranky Miranda has dumped hubby Steve because he admitted to a one-night-stand and can’t live with himself any longer without telling her! She dumps him. In the meantime, Carrie is getting into her now headline society wedding featured in Vogue magazine hoopla, but ‘Big’ can’t get past writing his vows or literally out of the car on the day of the wedding, and jilts her.


Friends to the rescue, and we follow the ladies to Mexico on the non-refundable honeymoon that Carrie had planned as a surprise for her new husband. Bitter salsa ensues. Sarah Jessica Parker is not very appealing as the tragic heroine, and she makes the jilted Carrie as posed and predictable as those runway models that hawk the clothes she covets. When bad stuff happened in her life in previous episodes, and there was plenty of it, she typed out her inner thoughts on her computer and turned it into a column for her newspaper job. Sadly, we didn’t see any of this in the movie which made me wonder how does a single girl in New York live as extravagantly as she does without an obvious income? Jane Austen would surely like to know that secret, let alone any singleton out there trying to make ends meet!


Some of the themes of the television show have transferred well to the movie; the enduring friendships of the four ladies, the quest for love or the perfect pair of designer shoes, and the qualms and challenges of making a relationship last. My biggest disappointment was the lack of biting social observation played against the humor and irony of the dialogue. I did not laugh as much and consequently could not connect to these ladies. They have evolved into caricatures of the original characters in sillier clothes, doing sillier things, for sillier reasons. Honestly, how many times can Miranda be over judgemental to her husband Steve, and then he just grovels for forgiveness? Why did they have to make Charlotte a screaming ditzy goody-two-shoes beauty queen with no foreseeable life problems? What was Samantha, the sex addict supreme, doing in a monogamous relationship alone in a beach house in Malibu while her actor boyfriend is stuck at the studio for all hours? And poor Carrie! After ten years of getting jerked around by ‘Big’, then left at the altar, she takes him back and they marry? Whaaat?


Jane Austen always supplied us with the wedding of her protagonists at the end of her novels and we were happy for them. These modern ladies are faced with some of the same challenges as Elinor Dashwood or Lizzy Bennet, but they lacked the integrity and resolve of Austen’s heroines that allowed us to identify with them, and most importantly admire them. The smaltzy Hollywood happy ending for all of the ladies in Sex and the City was disappointing because we just didn’t agree with their decisions or care. Austen still rules supreme in my book, and I raise my Austentini to her.


Posted by Laurel Ann, Austenprose

Rudyard Kipling, My Boy Jack, and the Janeite Connection

Spoiler alert. Plot discussed.

My Boy Jack is a powerful film that touched my heart in a way that no movie has in a long while. When I learned that this story about Rudyard Kipling’s son was true, my emotional reaction to the film felt all the more poignant. After the last credits rolled I sat in silence, contemplating the horrors of war and the sacrifices that are still being made by our soldiers and their families today. Tears rolled down my cheeks.

The cast of this film is sterling. David Haig, a character actor whose face was more familiar to me than his name, IS Rudyard Kipling. Not only is his resemblance to the author uncanny, but he worked for twenty-two years to adapt Kipling’s story to stage and screen. David plays Kipling with a fierce patriotic fervor that is both unlikeable (for the author places his son in harm’s way) and believable. The movie is a tragedy in a mythic sense: Kipling’s actions to help his son enlist despite the boy’s poor eyesight ended in Jack's death and haunted the author for the rest of his life.

The love Kipling felt for his son did not deter him from influencing Jack to join the army (images of Rudyard Kipling and Jack at left). This irony was not lost on David Haig, who described the author in this ITV interview: “…on one side you had the magical, inventive father, creator of the Just So Stories and The Jungle Books, providing a wonderful environment for a child to grow up in. And on the other side you had the apologist for the British Empire who tyrannically pursued his son’s joining of the army and his involvement in the fighting of the First World War.”

Young Daniel Radcliffe is outstanding as Jack, Kipling’s myopic 17-year old son. As this young actor matures, I hope he will succeed in breaking free from his Harry Potter persona to become an adult actor. His performance as young Jack Kipling is so believable, that one screams
internally “No!” when he leads the charge during battle. Daniel brings both strength and vulnerability to the role, especially in the scene in which, as Jack, he speaks for the last time to his father. Carrie Mulligan, whose acting career began in 2005, continues to grow and impress me as an actress (read her biography in the post below). She holds her own in this ensemble cast as Kipling’s independent daughter, Elsie. The only one of Kipling’s three children to live past the age of eighteen, Elsie, who married George Bambridge, died childless in 1976.

Kim Cattrall delivers a surprisingly restrained performance as Kipling’s American-born wife, Carrie (Caroline Balestier.) Better known for fluffier sex-kitten roles, Kim had to convince director Brian Kirk to consider her to play Kipling’s wife. After the series Sex in the City ended, Kim, who was born in Liverpool, moved to London to play a quadriplegic in the West End revival of Whose Life Is It Anyway? She followed this performance with a role in David Mamet's The Cryptogram. After Brian Kirk saw her serious work and awarded her the role as Carrie, Kim researched the part intensively. Carrie was neither liked by the public nor her in-laws, but Kim found a strength and quiet reserve that lent dignity to the part of the worried mother. She portrays Carrie as a strong person who fought the press and public so that Kipling could have the privacy he needed to write. Yet, despite her bold character, she was a woman of her time, deferring to her husband's wishes.

I’ve read several reviews in which potshots were taken at Kim’s portrayal of Carrie. However, I think it takes courage for an actress aged 50 - one who is known for her beauty and sensuality - to play a stodgy middle-aged Edwardian wife. In real life Carrie was in her 30’s before giving birth to Jack. Thus the 50-year-old Kim is not too old to play 17-year-old Jack’s mother, as some naysayers have suggested. (Image of the real Carrie at right.)




We now come to the Kipling/Janeite Connection. Rudyard Kipling’s admiration for Jane Austen is well documented.

“In March 1915, the Kiplings had visited Bath and he re-read the works of Jane Austen there. He wrote to a friend that “the more I read the more I admire and respect and do reverence… When she looks straight at a man or a woman she is greater than those who were alive with her - by a whole head… with a more delicate hand and a keener scalpel.”

In 1923, the author had completed writing The Janeites. The short story, begun the year before, was completed after Kipling’s discussion with critic George Saintsbury, who is credited with first using the term in an introduction to Pride and Prejudice.

“However, it was Rudyard Kipling's story 'The Janeites' which made the name famous. The story concerns a simple and uneducated soldier and mess waiter in the trenches who reads Jane Austen's novels so that he can join the 'secret society' of officers who read her. At first Humberst doesn't like her novels, but eventually he becomes a big fan. Ironically, after the war is over, reading Jane Austen reminds him of the comradeship and camaraderie that he found in the trenches. Humberst praises this soothing quality of JA: "There's no one to match Jane when you're in a tight place."”

In an interesting aside, after the first World War, shell shocked veterans were encouraged to read Jane’s novels to help them overcome the horrors they witnessed. After their son disappeared in battle, Rudyard Kipling and Carrie would read Jane’s words together, feeling some solace afterwards.

The fact that Kipling was instrumental in urging his son to fight despite his bad eyesight took its toll on him. Jack went to war in 1915, and was reported missing in the Battle of Loos a mere seven months later. After the war Kipling became obsessed with finding Jack’s remains. For years the author tried to trace him - interviewing survivors and carrying a description of the spectacles John wore on the battlefield. (Jack's grave.)

"Tonie Holt described how the author carried out hundreds of interviews with his late son's comrades, building up a detailed picture of his last moments. He believes that it is through this research that the claim that John's remains are in the Commonwealth War Graves Commission can be disproved. Not only is the rank on the gravestone wrong - Kipling's promotion to Lieutenant had yet to be announced in the London Gazette - but the remains were found some two miles from where he fell, at a feature called Chalk-Pit Wood.

The devastated father threw himself into his work, becoming a prominent member of the commission. He took part in the creation of the pristine rows of Portland stone graveyards, which now honour Britain's fallen, selecting the Biblical phrase "Their Name Liveth For Evermore" as a fitting epitaph." (My Boy Jack? The Search for Kipling's Only Son, A New 3rd Edition - 2007)

The tragic irony of Kipling's search for Jack was that by this time his career was in decline. “His work failed to strike a chord with a generation traumatised by the memory of the slaughter of the trenches.” He died in 1937, twenty-two years after Jack disappeared.

Watch My Boy Jack, Sunday, April 20th on Masterpiece Classic at 9:00 p.m. Click here for details.

“Have you news of my boy Jack?”

Not this tide.
“When d’you think that he’ll come back?”
Not with this wind blowing, and this tide.
“Has any one else had word of him?”
Not this tide.
For what is sunk will hardly swim,
Not with this wind blowing, and this tide.

“Oh, dear, what comfort can I find?”
None this tide,
Nor any tide,
Except he did not shame his kind—
Not even with that wind blowing, and that tide.

Then hold your head up all the more,
This tide,
And every tide;
Because he was the son you bore,
And gave to that wind blowing and that tide!

Update: This link leads to an MP3 file of a song recorded in 1917 and based on the poem.

Sources for this review:

• The Kipling Society
• Archives: Sussex
• Elsie Kipling Bambridge: Find a Grave
• David Haig: Official London Theatre Interview
• My Boy Jack, ITV
  
• Carrey Mulligan
• My Boy Jack: BBC
• Radio times Behind the Scenes
• My Boy Jack, Imperial War Museum Exhibition
• The Janeites, Lisa Lewis and Geoge Kieffer, 2003

Six Degree of Austen Adaptation Separation

David Haig as Rudyard Kipling enjoys several degrees of Austen adaptation separation:

• Two Degrees: Played as Bernard the Groom in Four Weddings and a Funeral, and as Sophie Thomspon’s (One Degree) husband. Sophie played Miss Bates and Maria Rushworth. Other actors included Anna Chancellor (One Degree, Caroline Bingley) andHugh Grant (One degree, Edward Ferrars)
  

• Three Degrees: David Haig played with Aileen Atkins (Two Degrees) in the Sea; she played opposite Kate Beckinsale in Cold Comfort Farm, and Kate played Emma (One degree). Aileen also costarred in Cranford with Judy Dench (One Degree, Lady Catherine de Bourgh.)
  

Kim Cattrall, Carrie Kipling

• Two Degrees: Stars with Carrie Mulligan who played Isabella Thorpe in Northanger Abbey.

• Three Degrees: Stars with Daniel Haig (see above) and Daniel Radcliffe, (see below.)

• Four Degrees: Starred with Cynthia Nixon in Sex and the City. Cynthia played a maid of all work for Mozart in Amadeus, and costarred with Simon Callow, Emanuel Shikaneder in the film. Simon played Mr. Beebe in 1986’s A Room With A View, costarring Maggie Smith(one degree); Gareth in Four Weddings and a Funeral, costarring David Haig and Sophie Thompson; and in Charles Dickens, costarring Kate Winslet.
  

Daniel Radcliffe, John Kipling

• Two Degrees: Through his Harry Potter costars - Emma Thompson, Maggie Smith, Alan Rickman, Daisy Haggard, Robert Hardy - all of whom played Austen characters.

• Three Degrees: Costarred with Geoffrey Rush in the Tailor of Panama; Geoffrey costarred in Shakespeare in Love (two degrees) with Gwyneth Paltrow (Emma, One degree.)
  

Carrie Mulligan, Elsie Kipling

• One degree, as Isabella Thorpe in Northanger Abbey. For other suggestions, read the post by Laurel Anne below.


Posted by Ms. Place